Chet Atkins Early Years

The Best of Barbara Mandrell collects her biggest hits from the late '70s, including "After the Lovin", "Married But Not to Each Other", "Tonight", "Woman to Woman", and "Sleeping Single in a Double Bed".

Recorded live at St. Jacob Stadium, Basel, Switzerland, on June 28th 1992 during the ‘On Every Street Tour 1992’

Fred James & Mary-Ann Brandon are the real deal. If you like southern roots Americana and blue eyed soul music, you’ll love the sound these two journeyman performers conjure up. Their new CD release on SPV Records showcases their exceptional song-writing and musicianship. Their harmony blend is all their own but harkens back to the classic duet sounds of Delaney & Bonnie, Billy Vera & Judy Clay and Bonnie Raitt & Delbert McClinton. It’s a sound that is timeless. This record has wound up being a loose chronicle of their life together. It's a love story with all its twists and turns. Their life together has not always been easy. They have lived, loved, fought and played with passion. For this album they went back to record some of the music from the early days and dug into their country and R&B roots to bring you a southern stew pot of blue eyed soul. This is, in fact, a record that has been a quarter of a century in the making.

The Secret Policeman's Third Ball took place at The London Palladium over four consecutive nights 26–29 March 1987. The show's format was retooled in an effort to take advantage of the growing number of rock musicians supporting Amnesty. Instead of it being primarily a comedy show with a few musical cameos, the event made a point of giving equal emphasis to comedy and music. The show's four nights were divided up into two nights of comedy and two nights of music.

Probably best known as a member of the Notting Hillbillies, Brendan Croker was also a well-respected singer/songwriter and session guitarist both before and after his involvement with that band. Drawing on strong folk, blues, and country roots, Yorkshireman Croker brought a strong, Woody Guthrie-ish lyrical outlook to his musical palette, and was equally at home with Van Morrison-style blues or American country music of any era. In fact, his deep knowledge of and affection for American roots music, coupled with his fine singing and guitar playing, at one point gave rise to Croker being hailed as "the British Ry Cooder".

This isn't just a 2-CD set of some unbelievable guitar work from a long-esteemed player of truly formidable skill but rather a treasury that proves beyond doubt that Melvin Taylor needs to be placed within the museum of the guitar greats: Wes Montgomery, George Benson, Chet Atkins, Frank Zappa, Earl Klugh, Jim Hall, Leo Kottke, Robert Fripp, Grant Green, Pat Metheny…all of 'em, regardless of style and genre. And he not only plays all the many layers of various guitars here but bass as well in a nominally foursome format.

From the beginning of Blues Dream, the listener knows that something special is going on. The spare notes of Ron Miles' trumpet and the relaxed guitar work of Greg Leisz lay the groundwork for a spacious sound on the title cut. This openness remains throughout the album, even when alto and trombone are added into the mix. The instrumental "Ron Carter" begins with the loose, electrified feel of an early Miles Davis fusion piece, with Bill Frisell's distorted guitar exploring the space of the piece without resorting to excessive volume. The short and sweet "Pretty Stars Were Made to Shine" leans heavier on the country side, with steel guitar and Chet Atkins' fingerpicking dominating. The arrangements on Blues Dream are a big change from last year's solo effort, Ghost Town…

Most of those familiar with guitarist Alex Skolnick know of him through Testament, the thrash-metal band with which he’s played for two extended spells, 1983-93 and then again from 2005 to the present. He’s long lived another life, though, leading his own jazz-rooted trio with bassist Nathan Peck and drummer Matt Zebroski. Conundrum is their first release in seven years…