Chieftains

Journey with The Chieftains to the special places and people of the home counties that formed the band's musical soul. Derek Bell, Kevin Conneff, Martin Fay, Sean Keane, Matt Molloy and Paddy Moloney tell the tales of their earliest memories of Irish music. Their thoughtful and often amusing stories capture the emotion behind the scenes of every performance.

The tracks on The Best of the Chieftains are drawn from The Chieftains 7, The Chieftains 8, and Boil the Breakfast Early–three of the band's recordings from the late 1970s. This was the period when former Bothy Band and Planxty flautist Matt Molloy and vocalist/bodhran player Kevin Cunniffe joined up and finally fulfilled Paddy Maloney's vision of what the band should sound like. It also marks the last time the Chieftains recorded pure, unadulterated traditional Irish music.

On their wide musical journeys in the '80s, the Chieftains decided to collaborate with Van Morrison, who had an artistic peak at the end of the decade. The result was a highlight in both of their '80s productions: the traditional Irish Heartbeat, with Morrison on lead vocals and a guest appearance from the Mary Black. Morrisonand Moloney's production puts the vocals up front with a sparse background, sometimes with a backdrop of intertwining strings and flutes, the same way Morrison would later use the Chieftains on his Hymns to the Silence. The arrangement and the artist's engaged singing leads to a brilliant result, and these Irish classics are made very accessible without being transformed into pop songs…

On their wide musical journeys in the '80s, the Chieftains decided to collaborate with Van Morrison, who had an artistic peak at the end of the decade. The result was a highlight in both of their '80s productions: the traditional Irish Heartbeat, with Morrison on lead vocals and a guest appearance from the Mary Black. Morrisonand Moloney's production puts the vocals up front with a sparse background, sometimes with a backdrop of intertwining strings and flutes, the same way Morrison would later use the Chieftains on his Hymns to the Silence. The arrangement and the artist's engaged singing leads to a brilliant result, and these Irish classics are made very accessible without being transformed into pop songs…