China Contemporary Art

At once a fascinating account of the birth of modern China and a moving chronicle of courage, creativity, and resistance.

Bringing Forth the New provides a headlong introduction into the world of Chinese contemporary visual art, opening from the art world onto the political, technological and economic vectors of recent Chinese history. Each chapter reads an important facet of recent Chinese history through the work of a significant artist. From examining trade war and intellectual property through the work of political pop painters such as Yu Youhan, to the development of gendered constructs in China through the work of Cui Xuiwen.

China’s experimental music and sound art scene began to take shape in the post-Tiananmen era in the late 1990s. A few musicians from the mainland’s underground music scene started to experiment with new ways of making music while the music industry co-opted the once revolutionary and independent rock music scene. The Hong Kong based experimental musician Dickson Dee and the U.S. based artist Dajuin Yao introduced Western avant-garde, experimental music to the mainland through the Internet and through the organization of music tours and festivals. The practice and spread of sound art, particularly installation and performative kinds, was made possible partially by venues such as contemporary art galleries and studios that have come to flourish in the cities of Beijing, Shanghai and Guangzhou. Developed outside of academic and official institutions, China’s sound art and experimental music scene encompasses noise music, experimental music, free improvisation, sound performance art, and sound installation.