A Bath Full of Ecstasy is a fresh, invigorating and essential new chapter in Hot Chip's career, taking in their huge breadth of influence and melody as only Hot Chip can. You can hear the pleasure the band had in creating this album and they want to pass on that feeling to the listener. It is time to get lost in A Bath Full of Ecstasy.
Though many remember only their 1967 hit, "Happy Together," the Turtles were one of the more enjoyable American pop groups of the '60s, moving from folk-rock inspired by the Byrds to a sparkling fusion of Zombies-inspired chamber pop and straight-ahead, good-time pop reminiscent of the Lovin' Spoonful, the whole infused with beautiful vocal harmonies courtesy of dual frontmen Howard Kaylan and Mark Volman. Though they hit number one in 1967 with the infectious "Happy Together," the Turtles scored only three more Top Ten hits and broke up by the end of the '60s.
Though many remember only their 1967 hit, "Happy Together," the Turtles were one of the more enjoyable American pop groups of the '60s, moving from folk-rock inspired by the Byrds to a sparkling fusion of Zombies-inspired chamber pop and straight-ahead, good-time pop reminiscent of the Lovin' Spoonful, the whole infused with beautiful vocal harmonies courtesy of dual frontmen Howard Kaylan and Mark Volman. Though they hit number one in 1967 with the infectious "Happy Together," the Turtles scored only three more Top Ten hits and broke up by the end of the '60s.
Though many remember only their 1967 hit, "Happy Together," the Turtles were one of the more enjoyable American pop groups of the '60s, moving from folk-rock inspired by the Byrds to a sparkling fusion of Zombies-inspired chamber pop and straight-ahead, good-time pop reminiscent of the Lovin' Spoonful, the whole infused with beautiful vocal harmonies courtesy of dual frontmen Howard Kaylan and Mark Volman. Though they hit number one in 1967 with the infectious "Happy Together," the Turtles scored only three more Top Ten hits and broke up by the end of the '60s.
Roosevelt is Marius Lauber, who leant the sensibilities of both his indie rock background and the techno scene of his adopted base of Cologne, Germany to his debut single, "Sea," released in 2012. That song, with its grooving, summery flow, brought him to the attention of labels. The tune appears here on his eponymous Roosevelt debut, released by City Slang and Greco-Roman, which is co-owned by Joe Goddard of Hot Chip. The album's techno-infused indie pop manages to incorporate dance tropes (four on the floor, '80s Casio tones, occasional tropical instruments, etc.) without turning out mere style exercises.