Chloe French #

Beautiful Bastard (Beautiful 1)
L'esprit vif, bosseuse et volontaire, Chloé Mills n'a qu'un seul problème, son patron : Bennett Ryan. Exigeant, direct, dépourvu de tact, ou d'une quelconque considération à l'égard d'autrui, il est absolument… irrésistible. Un salaud magnifique…

Sony Classical presents a new reissue of all the recordings that Charles Munch, one of the most dynamic and charismatic conductors of the 20th century, made for RCA Victor while in Boston conducting the Boston Symphony Orchestra. Munch turned the BSO into arguably the greatest French orchestra in the world while preserving its sovereignty in the American, Austro-German, central European and Russian repertoires. An 86-CD box set, The Complete Album Collection marks the first time that this cornerstone of the classical catalogue has been available in a single box with 16 works new to CD and 29 works newly remastered from the original analogue tapes.

For listeners who prefer their Ravel lushly textured, luminously colored, and luxuriantly impressionistic, this four-disc set of his orchestral music performed by Charles Dutoit and the Orchestre Symphonique de Montréal will be just the thing. Recorded between 1981 and 1995 in warmly opulent Decca sound and including all the canonical works plus the two piano concerts and the opera L'Enfant et les sortiléges, Dutoit's approach to Ravel is decidedly sensual, even tactile. One can feel the excitement in the closing "Dance générale" of Daphnis et Chloé, sense the energy in La Valse, smell the sea in Une barque sur l'océan, and touch the dancer's flushed skin in Boléro. This is not to say that details are lost in Dutoit's performances – with the superlative playing of the Montreal orchestra, one can assuredly hear everything in the scores. Nor is this to say that Dutoit neglects the music's clear shapes and lucid forms – with a decisive beat and a clean technique, Dutoit's interpretations are models of clarity. But it is assuredly to assert that, for sheer aural beauty, these recordings cannot be beat. With the very virtuosic and very French playing of Pascal Rogé in the two piano concertos plus very characterful singing in L'Enfant, this set will be mandatory listening for all those who love Ravel.

A woman is taken on a voyage to the other side of sanity in this moody thriller. Dr. Miranda Grey (Halle Berry) is a clinical psychologist who works alongside her husband, Dr. Doug Grey (Charles S. Dutton), in the mental ward of a top security prison, where Miranda has been devoting much of her attention to a clever but deeply disturbed murderer named Chloe (Penélope Cruz), who shares gruesome tales of torture and violence that may or may not be based in fact. One night, Miranda has a hideous nightmare in which a chance meeting with a strange young girl leads to a terrifying journey into madness. Once she wakes, however, Miranda discovers that the real horror has just begun – Doug has been brutally murdered, and the evidence points to Miranda as the prime suspect. She soon finds herself a patient in the same facility where she once treated others, and finds that her claims of innocence and sanity do little to convince Dr. Pete Graham (Robert Downey Jr.), the psychologist assigned to her case.