The term ‘living legend’ is genuinely apt to Martha Argerich, whose dazzling amalgam of virtuosity, insight, eclecticism, generosity and mystery makes her a pianist of unrivalled fascination. Argentinian-born, Viennese-trained, and winner of the 1965 Chopin Competition, she became a sometimes elusive figure whose every appearance and recording aroused eager anticipation. This collection presents Argerich in solo works, concertos and chamber collaborations.
Warner Classics proudly brings you Martha Argerich's greatest recording highlights, complete with true jewels from her discrography!
Since she won the seventh International Frederick Chopin Piano Competition in 1965 at the age of 24, this Argentine concert pianist has mostly avoided the limelight; she remains, however, one of the greatest interpreters of classical music. Included here are a scintillating array of concertos: Prokofiev's Concerto no. 3 in C major op. 26 ; Liszt's Piano Concerto no. 1 ; Mendelssohn's Concerto for Violin, Piano and String Orchestra in D minor ; Tchaikovsky's Piano Concerto no. 1 , and more. Technically brilliant…passionately rendered!
Award-winning pianist Ingrid Fliter makes her Linn debut with a distinctive performance of Chopin’s notoriously difficult piano concertos, featuring the Scottish Chamber Orchestra conducted by Jun Märkl. Since winning the silver medal at the 2000 Frederic Chopin Competition in Warsaw, Ingrid has built a reputation as a first-rate Chopin interpreter.
That Martha Argerich is a powerhouse with heart is not a problem, it's a delight; that she can occasionally be rambunctious and a bit careless, on the other hand, can be a problem. On this recording, happily, the pluses are very much in evidence and the minuses nonexistent. She plays the Tchaikovsky with absolute abandon joined with a technical assuredness that is thrilling, and the fact that she gets through it almost error-free makes the breakneck experience all the more rewarding. The Schumann Concerto is hardly in the same league as the Tchaikovsky, but Argerich makes a superb case for it.
EMI Classics is pleased to release the 10th annual 3CD set of highlights from the Progetto Martha Argerich in Lugano, “the delightful festival where youth meets experience and both benefit” (Gramophone). The Times described Argerich’s Lugano Festival as “community music-making on a deluxe scale, with performers and listeners mutually uplifted by music’s wonders”. The set is being released in anticipation of the Festival’s 2013 season. Reviewing the 2011 Live from Lugano release, Nicholas Kenyon wrote in The Observer, “There are not many reliable annual treats among classical CDs these days, but the series of live recordings from Martha Argerich's Lugano festival are now a highlight of each year.”