Jobim is recognised the world over as one of the most influential composers of the 20th century. He has been musically productive right up to his death in December 8th 1994.His last album, "Antonio Brasileiro", was released posthumously soon after.
Very nice early album from a bossa nova singer who still hasn't gotten her due! One of the best there was. Alaíde Costa is an important interpreter who had great success in the '60s. Her obstinate adherence to her delicate style, especially suited to the sensitive Brazilian genre modinha, made her be put aside by the cultural industry and she remained forgotten by the masses until her reappearance in Milton Nascimento's Clube da Esquina. She has been performing and recording erratically, but always with a high standard of quality in her dense interpretations. As a composer, she wrote music and lyrics for Afinal, and had partnerships with several important creators, such as Vinícius de Moraes and Geraldo Vandré.
This is Djavan's first album as an interpreter in 34 years of career. There are classics and also compositions brought by his emotional memory. The album is unusual for its instrumental lineup, small and vigorous, but aesthetically liberating with Djavan's acoustic guitar, Torcuato Mariano's electric and acoustic guitar, the acoustic bass of André Vasconcellos, Marcos Suzano's rich percussion and also the participation of Marcos Lobo and Leonardo Reis. The result: formal jazzy recordings, loose melodies, as if they were flying over rhythmic and harmonious bases.
Features 24 bit remastering and comes with a mini-description. A real standout from the great Shorty Rogers – and a smoking set that has him turning his many talents towards the world of bossa nova! By the time of this set, Shorty was as great an arranger as he was a trumpeter – really one of the go-to guys around LA for hipper soundtracks and vocal dates – and he really shows off his skills on a set of lively arrangements that pop and sparkle a lot more than other American bossa jazz outings of this nature! The set features lots of acoustic guitar and percussion – and bold trumpet and flugelhorn solos by Shorty – on titles that include "Samba Do Lorinho", "Samba Triste", "O Amore E A Rosa", "Pao De Assucar", "So Um Amor", and "O Menino Desce Do Morro".
Recorded 1955, 1959, 1962. This set presents five complete albums from the initial years of Lalo Schifrin's career as a leader: "Lalo=Brilliance: The Piano of Lalo Schifrin" (Roulette SR 52088); "Bossa Nova: New Brazilian Jazz (Audio Fidelity AFLP-1981)"; "Insensatez [aka Piano, Strings & Bossa Nova] (MGM SE-4110); "Piano Español: The Magic Touch of Lalo Schifrin, His Piano & Orchestra" (Tico LP-1070), and "Rendez-Vous Dansant a Copacabana" (Vogue LD-236). Born in Argentina, Schifrin was gaining fame as a member and arranger of Dizzy Gillespie's Quintet and Big Band during these formative years. He is backed on these albums by such important guitarists as Jim Hall and Jimmy Raney, plus the brilliant saxophonist Leo Wright from Gillespie's formation.