Choral Music History Style And Performance Practice

Choral Monuments: Studies of Eleven Choral Masterworks eBooks & eLearning

Posted by nebulae at June 30, 2017

Dennis Shrock, "Choral Monuments: Studies of Eleven Choral Masterworks"
English | ISBN: 019046903X, 0190469021 | 2017 | 464 pages | PDF | 7 MB

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Choral Monuments: Studies of Eleven Choral Masterworks [Repost] eBooks & eLearning

Posted by ChrisRedfield at Nov. 21, 2018

Dennis Shrock - Choral Monuments: Studies of Eleven Choral Masterworks
Published: 2017-07-03 | ISBN: 0190469021, 019046903X | PDF | 464 pages | 7.05 MB

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The Organ Music of Johannes Brahms eBooks & eLearning

Posted by roxul at July 27, 2022

Barbara Owen, "The Organ Music of Johannes Brahms"
English | ISBN: 0195311078 | 2007 | 208 pages | PDF | 3 MB

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Vox Clamantis, Jaan-Eik Tulve - Filia Sion (2012) Music

Posted by Designol at Feb. 24, 2024

Filia Sion is the first ECM New Series disc devoted entirely to the Estonian vocal group Vox Clamantis. From the beginning of its history, Vox Clamantis has focussed on Gregorian chant as the foundation of European music, but has also maintained strong connections to contemporary composers including Arvo Pärt, Helena Tulve and Erkki-Sven Tüür (members of the ensemble previously appeared on Tüür s Oxymoron album, singing his composition Salve Regina ). Their interpretation of medieval music is never purely historical. While always remaining true to the spirit of this repertoire, the approach to the work and the selection of pieces is contemporary, with sound and texture and the blending of voices as a focus. As leader Jaan-Eik Tulve explains, Gregorian chant is monophonic music which remarkably emphasizes the blend of voices.

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Worship Wars in Early Lutheranism: Choir, Congregation, and Three Centuries of Conflict eBooks & eLearning

Posted by Rare-1 at Oct. 4, 2017

Joseph Herl, "Worship Wars in Early Lutheranism: Choir, Congregation, and Three Centuries of Conflict"
ISBN: 0195365844 | 2008 | AZW3 | 366 pages | 4.87 MB

How important was music to Martin Luther? Drawing on hundreds of liturgical documents, contemporary accounts of services, books on church music, and other sources, Joseph Herl rewrites the history of music and congregational song in German Lutheran churches. Herl traces the path of music and congregational song in the Lutheran church from the Reformation to 1800, to show how it acquired its reputation as the "singing church."

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Annunciations: Sacred Music for the Twenty-First Century eBooks & eLearning

Posted by AvaxGenius at May 10, 2019

Annunciations: Sacred Music for the Twenty-First Century by George Corbett
English | PDF | 2019 | 396 Pages | ISBN : 1783747269 | 46.42 MB

Our contemporary culture is communicating ever-increasingly through the visual, through film, and through music. This makes it ever more urgent for theologians to explore the resources of art for enriching our understanding and experience of the Judeo-Christian tradition. Annunciations: Sacred Music for the twenty-First Century, edited by George Corbett, answers this need, evaluating the relationship between the sacred and the composition, performance, and appreciation of music.

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Worship Wars in Early Lutheranism: Choir, Congregation, and Three Centuries of Conflict eBooks & eLearning

Posted by arundhati at Oct. 17, 2021

Joseph Herl, "Worship Wars in Early Lutheranism: Choir, Congregation, and Three Centuries of Conflict"
English | ISBN: 0195154398 | 2004 | 366 pages | PDF | 20 MB

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Matteo Pasqualini - Johann Sebastian Bach: Italienisches Konzert, Französische Ouverture, Vier Duette (2024) Music

Posted by delpotro at June 7, 2024

Matteo Pasqualini - Johann Sebastian Bach: Italienisches Konzert, Französische Ouverture, Vier Duette (2024)
WEB FLAC (tracks) - 508 Mb | MP3 CBR 320 kbps - 180 Mb | 01:17:33
Classical | Label: Da Vinci Classics

Johann Sebastian Bach is one of the most prolific composers in the history of music – also literally, with his twenty children, but mainly in terms of his exceptional output. In spite of this, those of his works which appeared in print during his lifetime are less numerous than the proverbial tip of the iceberg. This does not imply that his music did not circulate: indeed, at his time, the favourite means of dissemination of musical works was through manuscript copies. Printing was reserved for works which were considered as particularly meaningful, and which represented the composer at his or her best; for works which had, therefore, also a “promotional” dimension, and which could foster the composer’s career by obtaining him or her fame, reputation, and possibly also a prestigious post.

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Matteo Pasqualini - Johann Sebastian Bach: Italienisches Konzert, Französische Ouverture, Vier Duette (2024) Music

Posted by delpotro at June 7, 2024

Johann Sebastian Bach is one of the most prolific composers in the history of music – also literally, with his twenty children, but mainly in terms of his exceptional output. In spite of this, those of his works which appeared in print during his lifetime are less numerous than the proverbial tip of the iceberg. This does not imply that his music did not circulate: indeed, at his time, the favourite means of dissemination of musical works was through manuscript copies. Printing was reserved for works which were considered as particularly meaningful, and which represented the composer at his or her best; for works which had, therefore, also a “promotional” dimension, and which could foster the composer’s career by obtaining him or her fame, reputation, and possibly also a prestigious post.

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Matteo Pasqualini - Johann Sebastian Bach: Italienisches Konzert, Französische Ouverture, Vier Duette (2024) [24/96] Music

Posted by delpotro at June 7, 2024

Johann Sebastian Bach is one of the most prolific composers in the history of music – also literally, with his twenty children, but mainly in terms of his exceptional output. In spite of this, those of his works which appeared in print during his lifetime are less numerous than the proverbial tip of the iceberg. This does not imply that his music did not circulate: indeed, at his time, the favourite means of dissemination of musical works was through manuscript copies. Printing was reserved for works which were considered as particularly meaningful, and which represented the composer at his or her best; for works which had, therefore, also a “promotional” dimension, and which could foster the composer’s career by obtaining him or her fame, reputation, and possibly also a prestigious post.

Details