This captures folk-blues guitarist-singer-songwriter Smither playing live in the studio for a hand-picked audience over the Christmas holidays in 1989. Smither presents 17 songs of his own derivation and others, blasting it all out in a couple of sharp sets in the time-honored folk music club tradition. His guitar work is clean and well played, and his vocals attain a sense of engagement throughout. While his interpretations of tunes by Chuck Berry, Randy Newman, Elizabeth Cotton, Willie McTell, Jimmy Reed and others are fine, the true highlights come with the originals "Lonely Time," "Don't Drag It On," "A Song for Susan," "Lonesome Georgia Brown," "I Feel the Same" and the title track.
In 1995, septuagenarian Clarence "Gatemouth" Brown moved from the independent blues label Alligator to Verve, then to the jazz division of PolyGram, part of Universal. In his five albums for the label (the last two of them released on the Blue Thumb subsidiary) – The Man (1995), Long Way Home (1996), Gate Swings (1997), American Music, Texas Style (1999), and now Back to Bogalusa – he has been able to pursue his eclectic inclinations more fully than he did when his label bosses were trying to emphasize his blues guitar playing. The center of Brown's taste is post-World War II jump blues and R&B with a distinctly Southwestern feel. Tasty as his guitar playing is, he likes to add horns and even a bit of country fiddle to the mix. As its title indicates, Back to Bogalusa particularly investigates the Louisiana influences on this Pelican State native, notably on the tracks "Going Back to Louisiana," "Breaux Bridge Rag," "Bogalusa Boogie Man," and the Cajun-styled "Louisian'".