Naji Hakim returns to disc on Signum with a new disc of his own unique compositions for solo organ, performed on the magnificent Stahlhuth-Jann Organ of St Martin’s Church, Dudelange, Grand Duché du Luxembourg.
Johann Pachelbel (baptised 1 September 1653 – buried 9 March 1706) was a German composer, organist, and teacher who brought the south German organ schools to their peak. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era.
…Although aficionados of English sacred music of the late sixteenth and early seventeenth centuries may already have recordings of the works of Byrd and Gibbons included here, few will be likely to have recordings of much by Humfrey – and that may be this set's most persuasive recommendation. Harmonia Mundi's digital sound, which ranges from 1987 for the Byrd through 1992 for the Humfrey to 2003 for the Gibbons, is consistently clear, deep, and warm.
Dietrich Buxtehude's organ works are today in the standard repertoire for organists all over the world, but this is the first time an organist has engaged so intimately with Buxtehude by using the very instrument on which the works were composed. Dacapo Records' new Buxtehude series will consist of a total of six CDs, and besides the St. Mary's Church in Elsinore they will be recorded in the other two churches where the composer was employed, the S:ta Maria Church in Helsingborg and the Marienkirche in Lübeck.
Mozart wrote his 17 Church Sonatas between 1772 and 1780, the period in which he was Konzertmeister to the Prince-Archbishop of Salzburg. Sometimes known as Epistle Sonatas, these short instrumental movements were designed to fill the gap between the readings of the Epistle and the Gospel at Mass, so clearly profundity was not something that was required of them. However, if an hour of sonata allegros seems to you like an indigestible prospect then the sheer charm of this music should quickly banish such unworthy thoughts. All under five minutes long, these are delightful pieces, not in the least bit 'churchy' and ranging in scale from chamber music for two violins and continuo (the majority) to symphony-style orchestral movements and a tiny concerto allegro for organ.