City Rig

Previously unreleased compilation from the Jazz Workshop catalog, a Motown Jazz oriented subsidiary founded by Berry Gordy Jr. In 1962. The label was intended to release hi-quality jazz singles with a distinctive pop flavor. Here are five different groupings featuring heavyweights such as Thad Jones, Frank Foster, Sonny Payne, Frank Wess, Cecil McBee, Kirk Lightsey, as well as two original Funk Brothers: guitarist Joe Messina and pianist Johnny Griffith. No matter if in blues, soul, funk, or jazz, Detroit bears one of the deepest black music traditions in America. Now if you want to get through the motor city jazz side this is the right place to start. Features Hank & Carol Diamond, Earl Washington All Stars, Dave Hamilton, Johnny Griffith Trio, George Bohannon Quartet, and Paula Greer.

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SOMM Recordings is pleased to release this set of delightful never-before-released recordings of the music of Gustav Holst in celebration of the 150th anniversary of the composer’s birth. Here are works of grand and intimate scale, for orchestral and chamber forces, with and without singers, offering a vivid sampling of his oeuvre in meticulous restorations of recorded live performances given in the 40s, 50s and 60s. Chronologically, the earliest recordings are those on Disc 2, curated by Producer Lani Spahr. The live performances of The Perfect Fool suite and The Planets were recorded from New York’s Radio City Studio in 1945 and Boston’s Symphony Hall in 1946, respectively, with British conductors leading orchestras from “across the pond”, where Holst had devoted much time in his later years conducting, lecturing and teaching.

This is the first Mosaic set to be pressed at Chad Kassem’s Quality Record Pressings in Salina, Kansas. About the pressings coming out of QRP, Michael Fremer wrote on TrackingAngle.com,” all I can say is THIS IS INCREDIBLE!!!!!! The sonics are spectacular and the pressing quality is as good as has ever been pressed in my opinion. The backgrounds are dead, black, silent the way Japanese pressings used to come on JVC ‘Supervinyl!’ and believe me it doesn’t get any better than that, though this may even be richer, darker and blacker.”

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Los Angeles – August 14, 2020 - By 1981, Frank Zappa’s Halloween shows in New York were already legendary – a rock and roll bacchanalia of jaw-dropping musicianship, costume-clad revelry, spontaneous theatrical hijinks and of course a heavy dose of Zappa’s signature virtuosic guitar workouts. Eagerly anticipated every year, fans never knew exactly what was in store but knew it would be of epic proportions and one-of-a-kind experience that only Zappa and his skilled group of musicians could provide.