Clarinet

Starting from the magisterial trios of Beethoven and Brahms, clarinetist Daniel Ottensamer, cellist Stephan Koncz and pianist Christoph Traxler began a journey to explore the influences these works exerted on other composers. As they moved further and further away from their point of departure, their search took them through several centuries and across every continent and their project burgeoned into a comprehensive anthology. “Our initial idea was to juxtapose these mainstream works with contemporary pieces, but our work on this project eventually got so out of hand that there was no end to the works that we discovered for our ensemble,” Koncz explains. “In all of them the tonal variety of the clarinet and the interplay between the three instruments is explored in completely different ways.”

Sabine Meyer is one of the world's most renowned instrumental soloists. Her career has taken her from the orchestra pit as a member of both the Bavarian Radio Symphony and the Berlin Philharmonic to the height of solo stardom. It is partly due to her that the clarinet as a solo instrument recaptured the attention of the concert platform.

Michael Collins is one of our most versatile clarinettists, possessing a dazzling virtuosity and sensitive musicianship that have made him the favourite of conductors, composers, and audiences throughout the world. Now an exclusive Chandos artist, Collins is embarking on a series of recordings designed to display the extraordinarily wide range of music written for his instrument. The present programme comprises a varied repertoire, concentrating generally (though not exclusively) on its more extrovert virtuoso aspects and offering some breathtaking show-stoppers. Well-known works such as Rachmaninoff’s haunting Vocalise contrast with the sunny brilliance of Giampieri’s Il carnevale di Venezia, and the playful, inventive French items by Milhaud and Messager provide a further contrast in mood and colour.

Among the most cherished of all chamber works, the Quintet was written after Brahms visited the ducal court of Meiningen and heard Richard Mühlfeld, whom he considered one of the greatest woodwind players he had ever heard. It is a heartfelt work, and seems to sum up Brahms's life, with a mood of resignation-without-bitterness prevailing. This is one of Brahms's finest achievements.

This recording of the complete chamber music works for clarinet by Johannes Brahms is presented with first-rate interpreters: Laura Ruiz Ferreres, one of the most gifted clarinettists of her generation, and pianist Christoph Berner. Internationally renowned cellist Danjulo Ishizaka and the Mandelring Quartet complete the superb line-up of instrumentalists for this recording.

Even if some people still consider him “too modern” today, Hanau-born Hesse Paul Hindemith is undoubtedly one of the most influential German composers of the generation after Richard Strauss. Few of his immediate colleagues have found their way into the international repertoire to the same extent that he has, or influenced subsequent generations through comparably extensive educational work. All three works for clarinet featured on this recording date from years of extensive travel: the Quartet for Clarinet, Violin, Cello, and Piano was written in 1938 around the time of his emigration to Switzerland, the Sonata for Clarinet and Piano in 1939 during the course of the tours of the USA that immediately followed the emigration, and finally, the Concerto for Clarinet and Orchestra in 1947 (written for and premiered by Benny Goodman) when Hindemith left his American exile to visit Europe again for the first time after the Second World War.