The Clarion Choir and its Artistic Director Steven Fox make their Pentatone debut with a recording of Sergei Rachmaninoff’s choral masterpiece, the All-Night Vigil, demonstrating their exceptional proficiency in Russian repertoire. The All-Night Vigil is an evening service that gradually moves towards daybreak, symbolizing the Resurrection of Christ. This message of light and hope emanating from the darkness is both universal and very topical in the troubled world we find ourselves in. On this recording, many of the movements are preceded by the original Kiev and Znameny chants on which Rachmaninoff based his composition, adding another layer to this mesmerizing piece.
The Clarion Choir and its Artistic Director Steven Fox make their Pentatone debut with a recording of Sergei Rachmaninoff’s choral masterpiece, the All-Night Vigil, demonstrating their exceptional proficiency in Russian repertoire. The All-Night Vigil is an evening service that gradually moves towards daybreak, symbolizing the Resurrection of Christ. This message of light and hope emanating from the darkness is both universal and very topical in the troubled world we find ourselves in. On this recording, many of the movements are preceded by the original Kiev and Znameny chants on which Rachmaninoff based his composition, adding another layer to this mesmerizing piece.
This CD represents one venerable pianist paying tribute to another: Sir Roland Hanna and his fine trio playing compositions by, associated with, or written for John Lewis, the musical director of the Modern Jazz Quartet for all of its life. Lewis was admired for his distinctive bop playing and his creative involvement with one of the greatest groups in jazz history, but only one of his originals has become a standard: the immortal "Django," rendered here in an elegant arrangement that alternates between somber and swinging.
After critically-lauded projects with trumpeter Paolo Fresu (Chiaroscuro) and with fellow guitarists Wolfgang Muthspiel and Slava Grigoryan (Travel Guide), Ralph Towner returns to solo guitar for My Foolish Heart. Whether on classical guitar or 12-string guitar Towner’s touch is immediately identifiable. Solo music is an important thread through his rich discography and this new album – recorded at Lugano’s Auditorio Stelio Molo RSI in February 2016 and produced by Manfred Eicher – follows in the great tradition of Diary, Solo Concert, Ana, Anthem, and Time Line. It features finely-honed new compositions as well as a pair of tunes (“Shard” and “Rewind”) from the songbook of Oregon, a dedication to the late Paul Bley (“Blue As In Bley”) and a single standard – Victor Young’s “My Foolish Heart” which Towner first came to love in Bill Evans’s interpretation.
AVID Jazz presents the latest release in our Four Classic Album series with a second re-mastered 2CD release from Donald Byrd, complete with original artwork, liner notes and personnel details.
Jack Purvis was a strange figure in jazz history. A talented trumpeter who could also play effective trombone starting in the late '20s, Purvis was also a petty thief, a smuggler, a cook, an airplane pilot, and a charming con man. He was in one legendary escapade after another, which finally resulted in a jail sentence, and he never seemed to regret any of his adventures or make any attempt at reform. His remarkable and somewhat unbelievable tale is outlined in detail in Michael Brooks' lengthy and definitive liner notes to this superb three-CD set. Purvis made all of his recordings during 1928-1931 (except for a lone session by pianist Frank Froeba in 1935), leading eight selections of his own and otherwise mostly adding some hot jazz trumpet to dance band dates…