Slovenian guitar ace Samo Salamon fronts a European ensemble akin to one of those legendary all-star jazz summits, but of course these colorific works veer off into an experimental wonderland of improvisation with split-second paradigm shifts amid the ensemble's synergistic discourses. Nonetheless, the respective musicians are at the top of their game here, as Salamon arranged for drummers Roberto Dani and Christian Lillinger to generate the seismic currents by staying in synch but not necessarily executing the same patterns.
The stand-up comic begins, "I went to a day of rage riot the other day, and a Moppa Elliott concert broke out." He might continue with, "Take my jazz canon, please." That is just what the bassist's quartet, Mostly Other People Do The Killing, does—seize the jazz standard and demolish it. The Coimbra Concert is the first live recording by the group, following its fourth studio record, Forty Fort (Hot Cup, 2009).
Something so special as this European project would need to have a future. After a first recording with the joined forces of British legendary saxophonist Evan Parker and the very special Scandinavian rhythm section of Sten Sandell (piano), Ingebrigt Haker Flaten (bass) and Paal Nilssen-Love (drums), here is the double CD that confirms the superband status of the Townhouse Orchestra. Not an orchestra, in spite of the name, but a quartet, truth is it sometimes sound as such. The extensive techniques used by the performers multiply the possibilities of each instrument, opening up the perspectives of the music played.
From someone who was absent from the jazz scene for ten years, trumpeter Dennis Gonzalez’s recent hyper-activity put his name in focus, as if he had always been active and simply became more and more famous. The Boston concert documented in “No Photograph Available” was one of those things that only happens thanks to the Internet. On his way to New York, where the Texan had a gig the following day, he wanted to stop in Boston and play there with local musicians, so he sent some messages through his chat list asking for contacts of people he didn’t already know and for availability of the ones he did. Soon the group formed itself, with Nate McBride and Joe Morris playing the two double basses, Charlie Kohlhase on the saxophones and Croix Galipault, a stunning 19 year old drummer, and a student of Morris’s, keeping the sticks.
More than 10 years of partnership between American trombonist, composer Steve Swell and German tenor saxophonist, bass clarinetist and composer Gebhard Ullmann after their successful first collaboration, The Ullmann/Swell Quartet featuring bassist Hill Greene and drum legend Barry Altschul continues now with a new version of the quartet featuring renowned Chicagoans, Michael Zerang, drums, percussion and Fred Lonberg-Holm, cello. This ensemble is appropriately named The Chicago Plan. The plan of course is to integrate the leaders’ fresh written material to inspire and be in the service of groundbreaking areas of improvisation that include world rhythms, universal textures and other worldly sound experiences.
A singularly accomplished bass innovator in the fields of jazz, free improvisation and new music, Mark Dresser has devoted himself in recent years to pushing the capacities of solo bass performance even further. In “Nourishments,” his first quintet recording in almost two decades, he shifts his attention back to another longtime creative commitment, ensemble exploration with a team of master improvisers possessing unmistakable sounds. Featuring Rudresh Mahanthappa, Michael Dessen, Denman Maroney, and, in turns, Tom Rainey or Michael Sarin–all leaders in their own right and players deeply versed in Dresser’s music–the quintet delves headlong into his richly suggestive compositions.
Chris Lightcap is a bassist's bassist. As a sideman to leaders such as Regina Carter, Matt Wilson, Joe Morris, Marc Ribot, and Craig Taborn, his rock-solid timekeeping can be quite inconspicuous. He is a sort of steadfast superglue that leaders and composers hold in high regard. As a leader and composer, there is another Chris Lightcap. Epicenter, is his third Bigmouth release, following the quintet Deluxe (Clean Feed, 2010) and a quartet Bigmouth (Fresh Sound New Talent, 2002). He continues to display his ability to sculpt music utilizing a two-tenor saxophone lineup.