Close to You

With their light, airy melodies and meticulously crafted, clean arrangements that appealed to a variety of audiences, the Carpenters stood in direct contrast with the excessive, gaudy pop/rock of the '70s; yet they became one of the most popular artists of the decade, scoring 12 Top Ten hits, including three number one singles. Karen Carpenter's calm, pretty voice was the most distinctive element of their music, settling in perfectly amidst the precise, lush arrangements provided by her brother Richard. Though their popularity began to fade as the '70s progressed, the duo continued to make music together until Karen's tragic death in 1983.

Hurriedly put together in the wake of the success of the title song, and containing the follow-up hit "We've Only Just Begun," Close to You is a surprisingly strong album, and not just for those hits. Richard Carpenter's originals "Maybe It's You" and "Crescent Noon" are superb showcases for Karen Carpenter's developing talent, the latter a superbly atmospheric, hauntingly beautiful art song of the kind that Judy Collins was doing well at the time, and gorgeously arranged…

When Karen Carpenter died on February 4, 1983 at the age of 32, more than one generation mourned. Karen and her brother, Richard, had achieved monumental success as purveyors of soft-rock soulfulness, aided by their wholesome, wistful looks…

Close to You is one of Frank Sinatra's most gentle and intimate albums, and that is due in no small part to the Hollywood String Quartet, which forms the core of the album's instrumental support. It also was one of the most difficult to record, taking eight months and five different sessions. Certainly, it is one of the most unusual and special of Sinatra's albums, featuring a subdued and detailed performances that accentuate both the romantic longing and understated humor of the numbers, which are mainly torch songs. With the quartet's support, the album comes closer to sounding like a classical album, like a pop variation on chamber music. Where the intimacy of In the Wee Small Hours sounded confessional and heart-broken, Close to You has a delicate, lovely quality; it may not be seductive, but it is charming and romantic.

Hurriedly put together in the wake of the success of the title song, and containing the follow-up hit "We've Only Just Begun," Close to You is a surprisingly strong album, and not just for those hits. Richard Carpenter's originals "Maybe It's You" and "Crescent Noon" are superb showcases for Karen Carpenter's developing talent, the latter a superbly atmospheric, hauntingly beautiful art song of the kind that Judy Collins was doing well at the time, and gorgeously arranged. There's also a Swingle Singers-style number, "Mr. Guder," showing off their paired vocal talents and more of Richard's arranging talents. Karen's singing on "Reason to Believe" isn't so much somber as it is passionate, as she emphasizes the melancholy component in the song more than most versions. Their version of "Help" lacks the inventiveness of "Ticket to Ride," although it has some pleasing vocal flourishes…