Codex

Master OpenAI's Codex to boost productivity, automate tasks & build applications faster than traditional coding

Master OpenAI's Codex to boost productivity, automate tasks & build applications faster than traditional coding

The Codex Seraphinianus is a book written and illustrated by the Italian architect and industrial designer Luigi Serafini. The book appears to be a visual encyclopedia of an unknown world, written in one of its languages, an incomprehensible (at least for us) alphabetic writing.
Художник увидел, как наш мир вывернули наизнанку. Больше ничего не пряталось в тени маски и театральной игры. Картины улыбающегося апокалипсиса поразили художника настолько сильно, что он написал самую странную книгу в истории современного мира.

Codex Atlanticus,Codex Becker I - II,Codex Borbonicus,Codex Borgia,Codex Cospi,Codex Dresden,Codex Egerton 2895,Codex Fejevary-Mayer,Codex Grolier,Codex Ixtlilxochitl,Codex Laud,Codex Madrid,Codex Magliabechiano,Codex Paris.
WHAT IS A CODEX?

Just as with modern books, paper was the most common material out of which codices were made. The Maya made paper from the inner bark of fig trees (Ficus), called kop? in Maya and today commonly known as amate paper. Although they also used deer skin, cotton cloth and maguey paper, apparently the Maya preferred kop?.

The paper measured several meters long and, as in the case of the three known Maya codices, measured about 20 centimeters wide. The large codices were folded like screens, covered with layer of starch, and then with a thin, white, calcium carbonate paste.

Each page was separated by a thick, red frame and then horizontal and vertical lines were painted to further separate texts. The remaining page was divided into several squares, inside of each was an ideogram, which had some relation to those in other boxes. Glyphs relating to each other were drawn in the sections. Subjects varied from religion, astronomy, agricultural cycles and history to prophecies. One or more themes occupied each page and in all cases, the contents related to the spiritual world.

In the monastic life of the Cistercian order, as in the case of the female monastery of Santa María la Real de Las Huelgas (Burgos), a royal pantheon, the seat of coronations and the epicentre of a very intense musical life in which singing played an extremely important part, the nuns were called upon to live a life of simplicity, silence, prayer and contemplation. Flavit auster, which is part of the Las Huelgas Codex, is a Marian text inspired in the Song of Songs in which the most powerful symbols of femininity appear, such as the honeycomb, milk and honey, and protectiveness described as “mother of mercy, port of hope for the shipwrecked and virgin mother purified.”