Colette et Jacques

Perhaps Jean-Jacques Rousseaus Devin du Village has been waiting just for you for two centuries at the Theatre de la Reine at the Petit Trianon. On September 19, 1780, Marie-Antoinette was on stage, in costume, and was acting with her troop of aristocrats in front of a public of close friends. That evening, she was singing the role of Colette, the heroine of this one act opera composed in 1753 by the philosopher Jean-Jacques Rousseau, perhaps the most celebrated work of its time. That exceptional evening, a veritable fantasy of the Queens who imagined that she was a shepherdess, has been resuscitated under the direction of Sebastien dHerin in a costumed reconstitution, staged in the original historic sets.

Gretry's "Richard Coeur De Lion" (1784), a rousing tale about the rescue of the crusader king Richard the Lionheart by his faithful troubadour Blondel, is a minor masterpiece, the greatest French opera comique of the Ancien Regime. Gretry wasn't an eighteenth century composer of the calibre of Mozart, Rameau or his contemporary Gluck, but his music seduced audiences with its charm and tunefulness and in this opera he provided a great deal more. Blondel's stirring aria of loyalty to his king, "O Richard, oh mon roi", was so powerful it was used as an anthem by the royalists in the 1790s and promptly banned by the revolutionary authorities.

Scientifique passionné, botaniste, géologue, zoologue, paléontologue, géographe, historien, philosophe, écrivain… Théodore Monod rêve de « l’homme complet ». Entretiens avec un savant en quête d’absolu : des paroles de sagesse empreintes de poésie et d’humour…

L'inconscient refoulé de la névrose, Freud crut le trouver " à ciel ouvert " dans la psychose, étalé et pourtant intraitable, fermé à son intervention. Quelques décennies plus tard, Jacques Lacan forgeait un précepte à l'adresse du psychanalyste : ne pas reculer devant la psychose. C'était plus qu'un défi, plus qu'un refus de toute ségrégation de la maladie mentale, c'était une incitation à concevoir les phénomènes de la folie comme partie intégrante du destin de l'être parlant. …

Vladimir Cosma became a highly regarded and hugely prolific soundtrack composer for the French cinema in the 60s and 70s. Cosma is a stellar example of the rich traditon of French movie composers, from Auric to Delerue to Desplat. Like them, he seems to effortlessly breathe melodies. His music can be lush, it can be spritely. It shimmeres, cascades, and yes, sometimes, it kicks butt. This second box set of his scores, like the first, is a treasure chest for fans of rich, melodic film music.

Perhaps Jean-Jacques Rousseau’s Devin du Village has been waiting just for you for two centuries at the Theatre de la Reine at the Petit Trianon. On September 19, 1780, Marie-Antoinette was on stage, in costume, and was acting with her troop of aristocrats in front of a public of close friends. That evening, she was singing the role of Colette, the heroine of this one act opera composed in 1753 by the philosopher Jean-Jacques Rousseau, perhaps the most celebrated work of its time. That exceptional evening, a veritable fantasy of the Queen’s who imagined that she was a shepherdess, has been resuscitated under the direction of Sebastien d’Herin in a costumed reconstitution, staged in the original historic sets. A bonus film of the complete performance accompanies this recording.

He was born in Cologne, but it was in Paris that Jacques Offenbach achieved fame. A special feature of this 30-CD collection are star-studded recordings in both French and German of his most celebrated operettas – works that overflow with joie de vivre and satirical wit – and of Les Contes d’Hoffmann, an opera that daringly fuses fantasy, comedy and tragedy. It also includes irresistibly stylish performances of such tempting rarities as Les Brigands, Pomme d’Api, Monsieur Choufleuri and Mesdames de la Halle.

Voici rassemblé dans un pack 914 romans et récits sur l'histoire de l'humanité, qui connus de nombreuses péripéties et drames historiques avant d'arriver au temps présent.