Coltrane 1962

Recorded over the course of three months in 1962, Coltrane was John Coltrane's third album for Impulse, but his first for the label devoted entirely to his regular working group. It was also the first album on any label to showcase what came to be known as the classic John Coltrane Quartet. ~ AcousticSounds

John Coltrane - Coltrane (1962) {Impulse!-Verve Originals 0602517486287 rel 2007}
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© 1962, 2007 Impulse! / Verve / UMG | Verve Originals Series | 0602517486287 | LP AS-21
Jazz / Post Bop / Hard Bop / Modal Music / Saxophone

Considered by many to be his finest single album, Coltrane finds John Coltrane displaying all of the exciting elements that sparked brilliance and allowed his fully formed instrumental voice to shine through in the most illuminating manner. On tenor saxophone, he's simply masterful, offering the burgeoning sheets of sound philosophy into endless weavings of melodic and tuneful displays of inventive, thoughtful, driven phrases. Coltrane also plays a bit of soprano saxophone as a primer for his more exploratory work to follow. Meanwhile, bassist Jimmy Garrison, drummer Elvin Jones, and especially the stellar McCoy Tyner have integrated their passionate dynamics into the inner whole of the quartet.

Duke Ellington & John Coltrane - Duke Ellington & John Coltrane (1962) {Impulse! Japan, 32XD-587, Early Press}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 210 Mb | MP3 @320 -> 82 Mb
Full Artwork @ 600 dpi (png) -> 133 Mb | 5% repair rar
© 1962, 1987 Impulse! / MCA Records / Warner-Pioneer Japan | 32XD-587
Jazz / Cool Jazz / Post Bop / Mainstream Jazz / Piano / Saxophone

Digitally remastered from the original stereo master tapes. A seminal meeting of the old and new generations of jazz in the 60s – put together in perfect Impulse fashion! At some level, this is actually an early 60s John Coltrane Quartet album – with Duke Ellington sitting in for McCoy Tyner on piano, as that's the lineup on about half of the album – tracks that feature Coltrane on tenor, Elvin Jones on drums, and Jimmy Garrison on bass, all working with Ellington on the keys. On other titles, though, the album features Coltrane playing with a Duke-ish trio that has Aaron Bell on bass and Sam Woodyard on drums – slightly less modern, but with a nice sense of depth throughout! Overall, the the record does a great job of balancing between the best talents of both players.

Considered by many to be his finest single album, Coltrane finds John Coltrane displaying all of the exciting elements that sparked brilliance and allowed his fully formed instrumental voice to shine through in the most illuminating manner. On tenor saxophone, he's simply masterful, offering the burgeoning sheets of sound philosophy into endless weavings of melodic and tuneful displays of inventive, thoughtful, driven phrases. Coltrane also plays a bit of soprano saxophone as a primer for his more exploratory work to follow. Meanwhile, bassist Jimmy Garrison, drummer Elvin Jones, and especially the stellar McCoy Tyner have integrated their passionate dynamics into the inner whole of the quartet…

Recorded over the course of three months in 1962, Coltrane was John Coltrane's third album for Impulse, but his first for the label devoted entirely to his regular working group. It was also the first album on any label to showcase what came to be known as the classic John Coltrane Quartet. That group – with McCoy Tyner on piano, Jimmy Garrison on bass and Elvin Jones on drums – established itself in its four years of existence as one of the most influential ensembles in jazz, and one of the most popular as well. Coltrane documents its genesis.

For this classic encounter, Duke Ellington "sat in" with the John Coltrane Quartet for a set dominated by Ellington's songs; some performances have his usual sidemen (bassist Aaron Bell and drummer Sam Woodyard) replacing Jimmy Garrison and Elvin Jones in the group. Although it would have been preferable to hear Coltrane play in the Duke Ellington orchestra instead of the other way around, the results are quite rewarding. ~ AllMusic

Duke Ellington & John Coltrane
Vinyl Rip in 24-Bit/96-kHz | FLAC tracks | no cue | no log | Covers | MU, FF, RS | 721 MB 3% recovery
1962 | Genre: Jazz | Label: Impulse! | IMP-166 Limited Edition | US pressing | Vinyl: M
180 gram vinyl reissue

For this classic encounter, Duke Ellington "sat in" with the John Coltrane Quartet for a set dominated by Ellington's songs; some performances have his usual sidemen (bassist Aaron Bell and drummer Sam Woodyard) replacing Jimmy Garrison and Elvin Jones in the group. Although it would have been preferable to hear Coltrane play in the Duke Ellington orchestra instead of the other way around, the results are quite rewarding.

(Scott Yanow - AllMusic Guide)

John Coltrane - The Impulse! Albums: Volume One (2007) [5CD] {Verve Originals Series Remaster}
EAC Rip | FLAC (tracks+.cue+log) - 1,20 GB | Scans TIFF - 471 MB | MP3 CBR 320 kbps (LAME 3.98) - 422 MB
Genre: jazz | RAR 5% Rec. | Label: Verve / Impulse! | 2007 Verve Originals

Each album newly remastered from the original master tapes. The set containing these five classic, influential John Coltrane albums: Africa/Brass (1961), Live At The Village Vanguard (1961), Coltrane (1962), Duke Ellington & John Coltrane (1962), Ballads (1962). If you like jazz and you don't own this then your a mug. Coltrane plays like a nutcase on this record. Coltrane is undoubtedly the scariest pair of lungs to ever touch a Sax. The whole album drags every emotion from your soul and creates something which will either make musicians hesitant to pick up their instruments or forever play with an unimaginable, inexplicable love for this insane thing called music.

A towering musical figure of the 20th century, saxophonist John Coltrane reset the parameters of jazz during his decade as a leader.