The two and a half years represented in this mammoth collection made up a period of great activity and development for young John Coltrane. It was a time in which he worked in the Miles Davis Quintet, then joined Thelonious Monk for his historic Five Spot engagement, and then took his place in the legendary 1958 Miles Davis Sextet. It was a time in which he grew from a somewhat promising tenor player to a supernova about to burst upon the jazz world. It was also a span during which Trane traveled with great regularity to the original New Jersey location of the Rudy Van Gelder Studio, taking part in no less than 25 lengthy Prestige recording sessions.
Grant Green recorded so much high-quality music for Blue Note during the first half of the '60s that a number of excellent sessions went unissued at the time. Even so, it's still hard to figure out why 1964's Matador was only released in Japan in 1979, prior to its U.S. CD reissue in 1990 – it's a classic and easily one of Green's finest albums. In contrast to the soul-jazz and jazz-funk for which Green is chiefly remembered, Matador is a cool-toned, straight-ahead modal workout that features some of Green's most advanced improvisation, and remains one of his greatest achievements. Allmusic*****Very rare Japan Promo only Bonus LP for who buy many copies from The Series "Blue Note 1993 4000 Series Ultra Collection Part 10 & 11
Arguably John Coltrane's finest all-around album, this recording has brilliant versions of "Afro Blue" and "I Want to Talk About You"; the second half of the latter features Coltrane on unaccompanied tenor tearing into the piece but never losing sight of the fact that it is a beautiful ballad. The remainder of this album ("Alabama," "The Promise," and "Your Lady") is almost at the same high level.