Come See The Paradise

As nervy as it is hilarious, this screwball masterpiece from Ernst Lubitsch stars Jack Benny and, in her final screen appearance, Carole Lombard as husband-and-wife thespians in Nazi-occupied Warsaw who become caught up in a dangerous spy plot. To Be or Not to Be is a Hollywood film of the boldest black humor, which went into production soon after the U.S. entered World War II. Lubitsch manages to brilliantly balance political satire, romance, slapstick, and urgent wartime suspense in a comic high-wire act that has never been equaled.

Series exploring the history of American art sees Andrew Graham-Dixon feeling the pulse of contemporary America.

A family re-unite to celebrate Christmas in this heart-warming piece of vintage British filmmaking.
Ralph Richardson plays Reverend Martin Gregory, a recently widowed minister who is reunited with his family one Christmas. He is torn between his roles of Clergyman and father, and the zeal he shows in attending to his parishioners leads him to neglect the needs of his own family, until emotions boil over one Christmas.

Andrew Graham-Dixon explores the history of the Royal Collection, the dazzling collection of art and decorative objects owned by the Queen. Containing over a million items, this is one of the largest art collections in the world - its masterpieces by Van Dyck, Holbein, Leonardo da Vinci, Vermeer and Canaletto line the walls of Windsor Castle, Hampton Court and many other palaces, museums and institutions around Britain.

Andrea Segre's tender, subtle, award-winning drama tells the story of Shun Li, a Chinese immigrant working in a bar on a small island in the Veneto lagoon.
Though lonely at first Shun Li slowly strikes up a rapport with Bepi, a Slavic fisherman nicknamed ‘The Poet’, and the pair forge an unlikely yet intimate bond. However, both the local Italian community and Chinese immigrant population object to the relationship and they soon find themselves driven tragically apart…

In this warmhearted comic yarn from Aki Kaurismäki, fate throws the young African refugee Idrissa (Blondin Miguel) into the path of Marcel Marx (André Wilms), a kindly old bohemian who shines shoes for a living in the French harbor city Le Havre. With inborn optimism and the support of his tight-knit community, Marcel stands up to the officials doggedly pursuing the boy for deportation. A political fairy tale that exists somewhere between the reality of contemporary France and the classic French cinema of the past, Le Havre is a charming, deadpan delight and one of the Finnish director’s finest films.

Cocaine Bandits 4 – Tijuana, the famous border town between the U.S. and Mexico. Here, the control does not come from the parliament or the police – here there is the Arellano-Félix cartel (CAF). The millions of tourists from the U.S. and the world will only see the glittering decal of a city that is eaten away by corruption, greed and blood just as it is otherwise known only from movies. But the crime is real, the drug war has not in dark backyards on, but it is made on the open road. Every day, district adopted, mutilated people, driven young people into prostitution, murder innocents. By the police is no help to be expected, because the criminals also consists of how the cartel itself Cocaine Bandits 4 shows the true face of the holiday paradise Tijuana and offers a glimpse into the future throughout Mexico, which threatens to be swallowed by the drug war entirely.