Come.tu mi Vuoi

One of Italy's best-loved artists, Adriano Celentano has been equally successful in film and music. Whether singing Elvis Presley-inspired rock, as he did as a member of the Rock Boys in 1957, or romantic balladry, Celentano found a dedicated market for his music…

A formidable couple! Guido Di Leone and Francesca Leone represent one of the most successful and significant artistic partnerships not only in Italy in the field of Brazilian music, bossa nova. With the previous album (CORAÇÃO VAGABUNDO), also by Abeat, they had great success with the public and critics. This new release has all the ingredients to repeat this excellent result.

Most composers couldn't fill 20 CDs with all their works; it takes that many just to house the operas of one of the most prolific composers in classical music. These late-'70s recordings (featuring the Orchestre de Chambre de Lausanne under the direction of Antal Dorati) were groundbreaking at the time and remain cherished documents of some of Haydn's lesser-known works. You'll hear Armida (featuring Jessye Norman); La Fedelta Premiata ( Fidelity Rewarded ); Orlando Paladino ( Orlando the Paladin ); La Vera Costanza ( True Constancy , also with Norman); L'Incontro Improvviso ( The Unforeseen Encounter ); L'Infedelta Delusa ( Infidelity Outwitted ); L'Insola Disabitata ( The Desert Island ), and Il Mondo Della Luna (The World on the Moon ) plus additional arias

This is the fifth instalment of DG’s series of seven Mozart operas conducted by Yannick Nézet-Séguin, and initiated by Rolando Villazón, in collaboration with Festspielhaus Baden Baden and with the generous support of ROLEX For La Clemenza di Tito, Mozart’s last opera about the benevolent Emperor Titus who pardons an attempt on his own life, Rolando and Yannick – new music director of the MET – are joined by outstanding partners: A stellar cast in every role and specialist handpicked orchestra playing at their best in the stunning venue of Festspielhaus Baden-Baden Rolando adds yet another intriguing Mozart role to his already large discography. This time it is his role debut as Tito, reinforcing again his love for Mozart: “No composer has spoken to as directly as Mozart. I feel like I have a soul mate in him.”