The seventh album from Israeli-born saxophonist and clarinetist Anat Cohen, 2015's Luminosa showcases the N.Y.C.-based artist's eclectic mix of acoustic post-bop and Brazilian choro-influenced jazz. The album follows up her similarly inclined 2012 effort, Claroscuro, and provides a further showcase for her adroit improvisational skills and layered, sophisticated arrangements. Joining Cohen here is a bevy of equally gifted musicians, including keyboardist Jason Linder, bassist Joe Martin, and drummer Daniel Freedman. Luminosa also features a handful of guest artists including guitarist Romero Lubambo, percussionist Gilmar Gomes, and accordion player Vitor Goncalves. As with most of Cohen's recordings, Luminosa is a highly engaging, sophisticated, and romantic album.
Serving to embrace the floral heavens of British pop, this edition combines the first ten prized volumes of the acclaimed Piccadilly Sunshine series, originally released from 2009 to 2012. Celebrating the obscured artifacts of illustrious noise that emerged from the Great British psychedelic era and beyond, it is the essential guide to the quintessential sound of candy-colored pop from a bygone age. Includes over 200 tracks from 1964-1971, with an enhanced bonus disc containing rare tracks and images. Includes 84-page full-color booklet with rare photos, detailed biographies, and full discographies.
Help A Good Girl Go Bad album by Ruth Brown was released on the DCC Compact Classics label. Originally released on LP as Ruth Brown '65. Help A Good Girl Go Bad CD music contains a single disc with 12 songs.
During 1967-69 avant-garde innovator Albert Ayler recorded a series of albums for Impulse that started on a high level and gradually declined in quality. This LP, Ayler's first Impulse set, was probably his best for that label. There are two selections apiece from a pair of live appearances with Ayler having a rare outing on alto on the emotional "For John Coltrane" and the more violent "Change Has Come" while backed by cellist Joel Friedman, both Alan Silva and Bill Folwell on basses and drummer Beaver Harris. ~ AllMusic
Bassist Omer Avital is strong and conceptually ambitious on his debut recording. After beginning with an unaccompanied rendition of Bob Marley's "Redemption Song," he leads his group through eight stirring originals, as well as a 5/4 arrangement of "Stella by Starlight." The record is a sax-and-flute fest: most of the tunes burst with the harmonic richness of a little big band, thanks to the presence of Jay Collins, Greg Tardy, Myron Walden, Joel Frahm, and Jimmy Greene, at times all on the same track. Daniel Freedman plays drums on six cuts, Marlon Browden on three. Avital the arranger is more than capable of harnessing all this combined talent; what's more, he never falls back on obvious devices or rote solo rotations (there's usually only one soloist per tune). Some of the tracks run together as segues, giving the record a suite-like structure that increases its emotional impact…