This is a very complete set indeed. It includes all the quartets in the latest edition prepared by Jonathan Del Mar which restores many important markings by Beethoven and which has been done in collaboration with the Endellion Quartet. Both versions of the first quartet or included as well as Beethoven's quartet arrangement of the piano sonata Op. 14 no. 1. the Gross Fuge, both string quintets plus other works for string quartet including the two prelude and fugues.
Mozart was still in nappies at the time when Haydn more or less single-handedly invented the string quartet. Nearly half a century later, as he struggled - and failed - to complete his last quartet, Beethoven was already at work on his Eroica Symphony. In the interim, Haydn wrote considerably more quartet masterpieces than Mozart, Beethoven and Schubert put together, raising the medium to a level of sophistication, subtlety and originality that provided a yardstick for all later composers. Mind you, it took him some time to get there: it isn't until the eighth CD of this set that we reach the first of the unequivocally great works, the six quartets which make up Op. 20.
Mozart was still in nappies at the time when Haydn more or less single-handedly invented the string quartet. Nearly half a century later, as he struggled - and failed - to complete his last quartet, Beethoven was already at work on his Eroica Symphony. In the interim, Haydn wrote considerably more quartet masterpieces than Mozart, Beethoven and Schubert put together, raising the medium to a level of sophistication, subtlety and originality that provided a yardstick for all later composers. Mind you, it took him some time to get there: it isn't until the eighth CD of this set that we reach the first of the unequivocally great works, the six quartets which make up Op. 20.
Mozart was still in nappies at the time when Haydn more or less single-handedly invented the string quartet. Nearly half a century later, as he struggled - and failed - to complete his last quartet, Beethoven was already at work on his Eroica Symphony. In the interim, Haydn wrote considerably more quartet masterpieces than Mozart, Beethoven and Schubert put together, raising the medium to a level of sophistication, subtlety and originality that provided a yardstick for all later composers. Mind you, it took him some time to get there: it isn't until the eighth CD of this set that we reach the first of the unequivocally great works, the six quartets which make up Op. 20.
Audiences around Britain and beyond became devoted followers of the Elias String Quartet s Beethoven Project, in which the complete quartets were performed over the course of two seasons. This disc offers the chance to hear the fruits of the ensemble s collective experience and deep thinking on the works. We are proud to release the second volume of this collection on the Wigmore Hall Live label which presents three masterpieces: String Quartet in F Op. 18 No. 1, String Quartet in A minor Op. 132 and String Quintet in C Op. 29. For the latter the Elias String Quartet is joined by Malin Broman who is in huge demand as a soloist, chamber musician and orchestral leader. In this rousing concert, recorded live in concert at Wigmore Hall, the ensemble explores these works with sustained intensity and meticulous attention to detail.
Mozart was still in nappies at the time when Haydn more or less single-handedly invented the string quartet. Nearly half a century later, as he struggled - and failed - to complete his last quartet, Beethoven was already at work on his Eroica Symphony. In the interim, Haydn wrote considerably more quartet masterpieces than Mozart, Beethoven and Schubert put together, raising the medium to a level of sophistication, subtlety and originality that provided a yardstick for all later composers. Mind you, it took him some time to get there: it isn't until the eighth CD of this set that we reach the first of the unequivocally great works, the six quartets which make up Op. 20.
If you like your Mendelssohn mellow and refined, this may well be the set for you. Certainly, some of these works are genteel and angst free. This is especially true of the First and Fifth Quartets, and in these works and the slightly more dramatic No. 2, the Ysaye Quartet are at their best…