Scott Hamilton is in top form during this live date recorded at London's Pizza Express Jazz Club. Hamilton is always a masterful improviser who logically builds upon the foundation of each piece. Accompanied by a swinging English rhythm section consisting of pianist John Pearce, bassist Dave Green, and drummer Steve Brown, the veteran tenor saxophonist offers a diverse set, beginning with Tadd Dameron's snappy "The Squirrel."
A jazz supergroup comprised of some of the biggest up-and-coming names in forward-thinking jazz, Next Collective features saxophonists Logan Richardson and Walter Smith, guitarist Matthew Stevens, pianist Gerald Clayton, keyboardist Kris Bowers, bassist Ben Williams, and drummer Jamire Williams. Also joining in on the group's 2013 debut album, Cover Art, is acclaimed New Orleans trumpeter Christian Scott. Straddling the line between contemporary jazz, R&B, hip-hop, and harmonically advanced post-bop, Cover Art showcases Next Collective performing a variety of cover songs by contemporary artists like Jay-Z, D'Angelo, Pearl Jam, Drake, and others.
At times, McDuff demonstrates how soul-jazz organ stars used to make albums back in their '60s heyday, playing then-current pop hits like "The Age of Aquarius" and the theme from Mission: Impossible (which, thanks to cinema, was a hit all over again in 1996 when this CD was made). We also hear McDuff trying out his vocal cords for the first time on Louis Jordan's "Saturday Night Fish Fry"; actually, he merely talks the lyrics over the rhythm section – and at 70, he's entitled to this charming lark.
Antidote is a completely forward-thinking album, yet its roots date to the 1960s, near the beginning of his career when he played in the bands of Mongo Santamaria and Willie Bobo. During this period, he encountered the great Latin bandleaders of the era including Machito, Tito Puente, Ray Barretto, and Eddie Palmieri. In 1972, he penned the iconic composition "Spain," inspired by Joaquin Rodrigo's Concierto de Aranjuez. In 1976, Corea issued his milestone My Spanish Heart, that married fusion to Latin music. In 1982, he delivered another landmark with the Latin-tinged offering Touchstone, which featured flamenco master Paco De Lucia, and in 1990, Corea played on his Zyryab.
A key pairing of vocalist Mel Torme and pianist George Shearing – two aging jazz artists who really helped re-ignite each others' careers in the 80s! The format here takes Torme back to the best years of his jazz roots – and features spare backing from Shearing's trio, at a level that's intimate, but never too sleepy or prone with cliche. Shearing's touch on the keys is wonderfully sensitive – never just standard backing to a singer – and in a way, he brings out a new sense of depth in Torme's vocals, one that never showed itself so strongly, or so personally in the past. And best of all, at the time of this recording, the duo haven't yet lapsed into the cliches that would later mar their pairing – and instead really work together beautifully in a fresh sense of discovery and joy in each others' company.
"…This extremely satisfying CD is warmly recommended." ~allmusic
It has been six years since drummer Kendrick Scott and his band Oracle released their debut, The Source. On Conviction, only guitarist Mike Moreno remains. The rest of the lineup is filled out by John Ellis on tenor saxophone and bass clarinet, bassist Joe Sanders, and Taylor Eigsti on piano and Fender Rhodes. The set was produced by Derrick Hodge of the Robert Glasper Experiment. Nearly half the program is devoted to original compositions; the balance is made up of carefully chosen, wide-ranging covers. Conviction isn't a showcase for Scott's drumming skills, though he is clearly the leader – evidence of his kit work is right up front in this crystalline mix.
Brotherly Love is "Brother" Jack McDuff's final recording session, and features Red Holloway and Pat Martino, both of whom were integral members of his popular '60s group. Recorded just months before his sudden death in 2001, McDuff pulls out all the stops on nine great tracks with phenomenal Hammond B-3 artistry. Two bonus tracks feature previously unreleased material that spotlights McDuff with his protégé, Joey DeFrancesco, sharing in the brotherly love.
Jim Hall's successful blend of contemporary and mainstream jazz should appeal to both camps on this well-crafted CD. Hall displays the subtle quiet lyricism that makes his guitar sound instantly identifiable. Gil Goldstein is a perfect choice on keyboards, because he uses synthesizer only to color rather than overpower a song, while avoiding schmaltz. Both "Beja-Flor" and the title track benefit from his contributions. Though his piano is frequently in the background, it matches Hall's hushed, effective guitar lines. Bassist Steve LaSpina and drummer Terry Clarke frequently lay out during the introductions and then enter to add either gentle shadings or full steam, if needed. One of Jim Hall's best CDs.
Live at Newport finds trumpeter Christian Scott leading his ensemble through a performance at the JVC Jazz Festival in Newport, RI on August 9, 2008. Showcasing the same group that recorded Scott's critically lauded 2007 sophomore album, Anthem, Live at Newport does feature Scott branching out on some new material. Just coming into his own as jazz musician, Scott is nonetheless a talented and deft improviser and his knack for creating brooding, emotionally engaged music brings to mind a mix of '60s Miles Davis and the heady art rock of Radiohead.