Conducting Orchestra

Johannes Brahms - Symphony 1 & Symphony 2
Philadelphia Orchestra, Eugene Ormandy / National Philharmonic Orchestra, Leopold Stokowski
EAC+LOG+CUE | 2xFLAC: 773 MB | Full Artwork: 53 MB | 5% Recovery Info
Label/Cat#: Sony Classical # SB2K 63287 | Country/Year: Europe 1997
Genre: Classical | Style: Romantic

Leopold Anthony Stokowski was a British conductor of Polish heritage. One of the leading conductors of the early and mid-20th Century, he is best known for his long association with the Philadelphia Orchestra and for appearing in the film Fantasia. He was especially noted for his free-hand conducting style that spurned the traditional baton and for obtaining a characteristically sumptuous sound from the orchestras he directed…

Internationally recognized as one of the most talented conductors of his generation, Yuri Temirkanov has been the Music Director and Chief Conductor of the St. Petersburg Philharmonic Orchestra since 1988.

RCO - Anthology of the Royal Concertgebouw Orchestra, Vol 3, 1960-1970 (2005) {14CD Box Set RCO 05001, Limited Edition}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 4.67 Gb | MP3 @320 -> 2.40 Gb
Full Artwork @ 600 dpi (jpg) -> 230 Mb | 5% repair rar
© 1960-70, 2005 Radio Netherlands Music / RCO LIve | RCO 05001
Classical / Orchestral

Despite rumors some months ago that the RCOA series might be discontinued (fortunately unfounded), here we have Volume III, a 14-CD set that contains much of interest, but surely—for this collector—doesn't live up to its potential. For me, ideally that would concist of some of the outstanding performances of great symphonic music played by this magnificent orchestra, recorded in the extraordinary acoustics of the Concertgebouw with the usual Radio Nederland sonic expertise. During the decade represented in this set (1960-1970) the Concertgebouw Orchestra's programming often emphasized contemporary music and that surely is reflected in this album. We have well over five hours of music by Martin, Varèse, Berg, Webern, Henze, Lutoslawski, Nono and Dallapiccola as well as Dutch composers Ketting, Escher, and Vermeulen, and Polish composer Grazyna Bacewicz's Music for Strings, Trumpets and Percussion, an 18-minute three-movement work of imagination and vivid scoring.

RCO - Anthology of the Royal Concertgebouw Orchestra, Vol 2, 1950-1960 (2003) {14CD Box Set Q Disc 97018, Limited Edition}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 3.80 Gb | MP3 @320 -> 2.39 Gb
Full Artwork @ 300 dpi (jpg) -> 133 Mb | 5% repair rar
© 1950-60, 2003 Radio Netherlands Music / Q Disc | 97018
Classical / Orchestral / Symphony

Again we are indebted to NM Classics for another volume (the second) in their Anthology of the Royal Concertgebouw Orchestra series. This one covers the period 1950-1960 and contains many unusual treasures as well as a number of performances that have already been issued: the fine Daphnis and Chloe with Monteux which currently is available on both Audiophile Classics and Music & Arts, Bruno Walter's Mozart, Mahler and Strauss all of which are available on Music & Arts, and the Brahms concerto with Monteux/Milstein, available on Audiophile Classics and Arioso (as well as a discontinued Tahra set). However, there are many fascinating items here including a number of major additions to Eduard van Beinum's discography. We have Beinum conducting music of Dutch composers Hans Henkemans (1913-1995), Anthony van der Horst (1899-1965), and Matthijs Vermeulen (1888-1967).

Johann Strauss Jr. - Viennese Waltzes And Polkas
Eugene Ormandy / The Philadelphia Orchestra
EAC+LOG+CUE | FLAC: 383 MB | Full Artwork: 57 MB | 5% Recovery Info
Label/Cat#: Sony Classical "Essential Classics" SBK 48 164 | Country/Year: Europe 1992; 1959/1966/1969
Genre: Classical | Style: Romantic, Waltz

Eugene Ormandy (November 18, 1899 – March 12, 1985) was a Hungarian-born conductor and violinist who became internationally famous as the music director and conductor of the Philadelphia Orchestra. The maestro's 44-year-long association with the Philadelphia is one of the longest enjoyed by any conductor with a single orchestra. Under his baton, the Philadelphia had three gold records and won two Grammy Awards.

Gergiev's is a Rite of Spring with a difference. He stresses the primitive barbarism of Stravinsky's groundbreaking score–the strange wheezings of the winds, the wild yawps of the tubas, and the deep rumblings of the bass drum. It's a Rite that stands out at a time when so many internationalized western orchestras give the piece an overlay of sophisticated polish that can rob it of the shock factor that drove the audience at the Paris premiere to riot. There are also numerous personal touches that can be controversial, such as the pause before the final chord, which may bother some but which work in the context of the interpretation. Gergiev's Rite faces strong competition from recorded versions by Markevitch, Dorati, Monteux, and Stravinsky himself, but it's definitely among the top choices. The Scriabin's less compelling, though still fascinating. Gergiev's approach tends to sound sectional, as the overall line is subordinated to momentary thrills. –Dan Davis