Constantine 2005

Revelando el origen oculto del némesis mortal de John Constantine, el inmortal hechicero vudú/gangster/propietario de un club nocturno conocido como Midnite en esta miniserie de 5 números con portadas de Ronald Wimberly.

The Information Society is bringing about radical changes in the way people work and interact with each other and with information. In contrast to previous information processing paradigms, where the vast majority of computer-mediated tasks were business-oriented and executed by office workers using the personal computer in its various forms (i. e. , initially alphanumeric terminals and later on graphical user interfaces), the Information Society signifies a growth not only in the range and scope of the tasks, but also in the way in which they are carried out and experienced. To address the resulting dimensions of diversity, the notion of universal access is critically important. Universal access implies the accessibility and usability of Information Society technologies by anyone, anywhere, anytime. Universal access aims to enable equitable access and active participation of potentially all citizens in existing and emerging computer-mediated human activities by developing universally accessible and usable products and services, which are capable of accommodating individual user requirements in different contexts of use and independently of location, target machine, or run-time environment.

Soviet-born American Violinist Daniel Kurganov and Russian-American pianist Constantine Finehouse perform a stunning programme of contemporary and 20th-century music by Lera Auerbach, Richard Beaudoin, John Cage and Olivier Messiaen.

Nice price 3-CD set on the Disky label from the legendary Edith Piaf. 2005.