Conway Twitty

“Rhythm & Blues Goes Rock & Roll volumes one to five from Atomicat Records looks at Caucasian cover-rockers from America and Australia. The musicians are from differing music backgrounds and covered R&B songs in their own style. The music within My Baby Left Me is sourced from the golden years of 1955 through to 1963, from labels large and small. Every album contains twenty-eight songs, and each album ends like Rock ‘n’ Roll evenings of the past, with a love song. The album is stuffed full of cover-rockers, with numerous artists being mostly unknown, but not lacking in star quality. The albums are perfect for collectors who wish to own a more diverse range of songs, and those who enjoy dancing.”

Robert Gordon - Rock Billy Boogie + Bad Boy (2001) {RCA–Collectables ‎COL-CD-2820 rec 1978-1979}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 377 Mb | MP3 @320 -> 134 Mb
Full Artwork @ 300 dpi (png) -> 62 Mb | 5% repair rar
© 1979-80, 2001 RCA / Collectables Records / BMG | ‎COL-CD-2820
Rock / Rockabilly Revival / Rock & Roll / Retro-Rock

Graced with the passion and looks of a '50s rocker, Robert Gordon emerged on the music scene in the late '70s. More than the retro-rocker he was labeled, Gordon sang with such heart and conviction that he helped secure reissues of songs by the many artists who influenced him. The two albums from the vaults of RCA available CD feature memorable versions of Black Slacks, Uptown, and It's Only Make Believe, plus more.

King traveled to Nashville in the early 1980s and recorded overproduced pop ballads written by the likes of honky tonk angels Conway Twitty, Willie Nelson, and Mickey Newbury. King plays guitar about as often as Perry Como and Tom Jones would have. – Frank John Hadley 1993