Country 1967

Few debuts are as initially powerful and permanently impressive as this 1967 set from San Francisco's Moby Grape. The triple-threat quintet (every member played, sang and wrote songs) serves up an utterly unique first course that mixes psychedelia, hook-filled pop, blues and country elements. The album tosses off diamond-delicate ballads and full bore rockers with equal soul and inspiration – and more energy than any other band then on the scene. Without a single duff cut, here's an album that plays as fresh and strong as the day it was first released. In 2003, the album was ranked number 121 on Rolling Stone magazine's list of the 500 greatest albums of all time.

Patsy Cline's Greatest Hits is a compilation consisting of American country pop music singer, Patsy Cline's greatest hits. This album includes Cline's biggest hits between 1957 and 1963. It is one of the biggest selling albums in the United States by any female country music artist.

Donald Eugene Gibson was an American songwriter and country musician. A Country Music Hall of Fame inductee, Gibson wrote such country standards as "Sweet Dreams" and "I Can't Stop Loving You", and enjoyed a string of country hits from 1957 into the mid-1970s. "All My Love" have been originally released in 1967 via RCA Victor label.

1967 marked an era of creative expression, political rebellion and experimentation, climaxing in The Summer of Love; and no other location on Earth was quite as synonymous with this period as San Francisco – the center of the counterculture movement. Perhaps one of the best musical representations of this time, place and environment came from a rock band across the Bay, who married progressive protest with groundbreaking, experimental music: Country Joe & the Fish. In that one year, the Berkeley musicians rose to prominence, releasing two albums which would go on to influence some of the biggest psychedelic acts of the decade: their debut LP, Electric Music for the Mind and Body, and I-Feel-Like-I’m-Fixin’-To-Die.

This book looks at an important turning point in the history of the bus industry in Britain, 1967 marked the end of an era, when private and semi nationalised company s operated the bus networks in this country.