Cpe Bach Concertos Loffier

C. P. E. Bach and his keyboards für Kenner und Liebhaber allow us to enter into a forgotten world of sound where various keyboard instruments, especially those strings that are struck, mix and mingle, revealing new colours and accents. C. P. E. Bach's work explores this broad expressive palette that enables him to evoke successively, or sometimes abruptly, the affable and tender grace of the songs to the dry anguish of break-ups, joyful liveliness to sad melancholy.With three keyboards - a clavichord, a Pantalon and a fortepiano -, exceptional witnesses of this sensitive and resonant universe, Pierre Goy succeeds in unveiling to us the whole teeming, whimsical and innovative dimension of works imbued with deep humanity, born of the great art and true freedom with which C. P. E. Bach successfully combined improvisation and composition.

JUNO Award-winning ensemble L'Harmonie des Saisons returns with a brand new recording of some of J. S. Bach's best-known concertos, including Concerto for 2 violins in D minor; Violin Concerto in A minor; Concerto for oboe d'amore in A major; Concerto for oboe and violin in C minor; and Harpsichord Concerto in D major, all performed by guest soloists or members of the ensemble.

Les Concertos de J.S Bach sont à placer parmi les perles les plus miraculeuses que nous a transmis le dix-huitème siècle. Vitalité, lyrisme, intensité mais légèreté, complexité mais fraîcheur, éloquence, couleurs… tout y est. Un bonheur inépuisable à partager avec le public. Depuis une vingtaine d'années, Ausonia, Frédérick Haas et Mira Glodeanu pratiquent les concertos de J.S Bach. Voici enfin leur enregistrement très attendu : le premier opus, enflammé et poignant de Hitasura Productions.

The Grigoryan Brothers return with an album of J.S. Bach's best-loved concertos, newly arranged for two guitars and orchestra. The two great forces in J.S. Bach's life were music and family - somewhat inevitably, for a man who had twenty children. Bach first wrote the concertos on this disc as a young composer finding his place in the world, seeking to establish both his musical and personal identity. But they stayed with him throughout his life: he adapted them for different instruments, performed them with his sons, and used them to pass down his musical and life experiences.

The Grigoryan Brothers return with an album of J.S. Bach's best-loved concertos, newly arranged for two guitars and orchestra. The two great forces in J.S. Bach's life were music and family - somewhat inevitably, for a man who had twenty children. Bach first wrote the concertos on this disc as a young composer finding his place in the world, seeking to establish both his musical and personal identity. But they stayed with him throughout his life: he adapted them for different instruments, performed them with his sons, and used them to pass down his musical and life experiences.

The Bern Friday Academy around oboist Katharina Suske has taken on several recent reconstructions of Bach concertos with verve and esprit, three of which have been recorded here for the first time alone."An album of hitherto unknown music by Johann Sebastian Bach would be a sensation! What may seem rather unlikely at first glance, the ensemble Die Freitagsakademie under the direction of Katharina Suske has nevertheless succeeded. Some of Bach's works that are considered lost today have been reconstructed in recent years and are now available on the album "Bach Concertos: Lost and Found", partly as first recordings.

Four harpsichord concertos by Johann Sebastian Bach (BWV 1052, 1061, 1062 and 1065) in an exciting new arrangement for marimba ensemble and orchestra. The Wave Quartet has been hailed as one of the most interesting newcomers in the field of classical music. Partnering on this album with the renowned L´Orfeo Barockorchster under the direction of Michi Gaigg. This new arrangement makes these popular concertos sound refreshingly light and modern. Specialist promo & marketing activity.

After the success of their first volume Ophélie Gaillard and Pulcinella propose a second disc devoted to Johann Sebastian Bach's most talented and surprising son, Carl Philipp Emanuel (1714-1788). The Sinfonia in C major expresses multiple emotions, ranging from irrepressible suffering in the Adagio to joyous release and insouciance in the concluding Allegretto, tinged with near-Mozartian grace. The Cello Concerto in B flat reveals the influence of the waning Baroque era and Vivaldi in particular. The Sinfonia in E minor, nicknamed 'Fandango' and dating from his Berlin years, is commonly regarded as one of his finest symphonies. The particularly virtuosic Sonata for cello piccolo and keyboard shows to advantage the two soloists of this recording: Ophélie Gaillard and Francesco Corti, whose fieriness is further revealed in the Harpsichord Concerto in D minor.