This is a great collection of rare and hard to find tunes compiled by Jeffrey Glenn. Hundreds of odds & ends by little known groups, famous singers, and famous singers before they became famous.
Universal will celebrate the 20th anniversary of The Verve‘s Urban Hymns in September with a reissue campaign that includes a 5CD+DVD super deluxe edition and a massive 6LP vinyl box set. All formats feature a remastered version of the album (the work of Chris Potter and Metropolis’ Tony Cousins) and the super deluxe edition box set adds four further CDs offering B-sides, remixes, session tracks, BBC Sessions and two discs of unreleased live performance from the era, including the May 1998 hometown show in front of around 35,000 fans at Haigh Hall, Wigan.
At long last, the legendary unreleased Still Cool album! Producer Carl "Stereo" Fletcher had been planning this LP on his Uprising label since the late 1970's. In fact, it was nearly released in Nigeria (!!!), but due to a faulty tape machine on a trip to Lagos, it never happened. Finally released nearly 40 years later, here it is. Still Cool, like Stereo and his Uprising label, were part of the vibrant musical arm of the 12 Tribes of Israel Rastafarian group in the 1970's. Still Cool regularly performed on 12 Tribes stage shows, just check the photos in our LP & CD jackets. Four of the ten tracks on this album were released as singles back in the day, including one ("Sweeter Music") credited only to Still Cool vocalist Frankie Diamond.
This set reinstates a number of important piano recordings made for Pacific Jazz (and in the case of Jimmy Rowles Liberty). Russ Freeman and Rowles were seminal to so much of the important music that emanated from Los Angeles in the '50s and '60s that their achievements would be far too many to list here. Freeman's hard swinging style is featured on 14 tracks made between 1952 and '57. Rowles, an encyclopedic piano maestro, is represented by his rare Liberty album Rare - But Well Done and two Pacific Jazz tracks, made the end of sessions by others.
Completists will be happy to own many of the rarities on this four-disc set, including Stevens's first demo session, an unreleased 1970 duet with Elton John, a cover of Fats Domino's "Blue Monday," and several choice live cuts from the late '70s. And it's nice to have an overview of the artist's entire career–from late '60s pop-star wannabe to '70s folk-rock superstar–in one place. But the difference between early Cat Stevens (despite composing hits for others) and post-Tea for the Tillerman Stevens is substantial. The two follow-up LPs were part of a trilogy of brilliance–both musically and lyrically–and any Stevens collection must start there. Nevertheless, surprises and some gems are to be found throughout all four discs–even his most recent recording (as Yusuf Islam) isn't bad. This box set also offers a choice opportunity to reassess a deserving career. (All royalties go to New York City relief victims and orphans and homeless families in underdeveloped countries.)