Crishton Smith

Multi-award-winning guitarist Johan Smith has considerably extended his instrument’s repertoire with this selection of transcriptions celebrating childhood in a variety of ways. These popular piano works – Schubert’s Erlkönig, Granados’s atmospheric Tales of Youth, Mozart’s elegant Sonata facile, Schumann’s Scenes from Childhood and the exquisitely sensitive and insightful miniatures of Debussy’s Children’s Corner – are presented in a totally natural and idiomatic manner within the guitar’s distinctly expressive soundworld.

Erik Söderlind is a young man in no particular hurry. Not yet 30, he plays jazz guitar with supreme assurance, and on his debut album Twist For Jimmy Smith, he has put together a lovely, leisurely paced, always swinging collection of standards and originals that deserves worldwide recognition. Of course, he's unlikely to get it. We live in a world obsessed with image, a world that all too often mistakes image for the real thing. Should Sweden's Söderlind be passed over, it's the world's loss. Here he teams up with two other extremely talented local musicians, organist Kjell Öhman and reed man Magnus Lindgren to make an album that brooks repeated listening. Söderlind plays in a line stemming from Charlie Christian and continuing through Wes Montgomery and George Benson—and that's George Benson when John Hammond billed him "The Most Exciting New Guitarist On The Jazz Scene Today." Before someone discovered he could sing, dressed him in glittery suits and stuck him on the cabaret circuit. Twist For Jimmy Smith provides a glimpse of what jazz was all about in those far off days; though this album is not about nostalgia. It's about the real thing, what Söderlind, on the sleeve calls "the joy of making music" and communicating that joy.

This five-disc set, contained in a cardboard sleeve that bundles standard jewel cases, consists of Lonnie Liston Smith & the Cosmic Echoes' four albums for Flying Dutchman – Astral Traveling (1973), Cosmic Funk (1974), Expansions (1974), and Visions of a New World (1975) – along with their first for RCA, Reflections of a Golden Dream (1976). Some of the albums were intermittently elusive, at least when it came to the CD format, throughout the years, so this was a convenient – and affordable – way to get them in one shot. However, it went out of print quickly after its 2009 release.

Welcome To My World, Grammy Award-winning bass-baritone Mark Steven Doss’s debut recording for Cedille Records, is a solo vocal recital showcasing Doss’s extraordinary career and artistic versatility. The recording provides a rich and varied musical experience, reflecting Doss’s range as a performer.

Johnny Henry Smith II, born June 25th 1922, became one of America's most revered cool jazz guitarist. This 4CD set features eight of Johnny Smith's most potent, dynamic and rewarding albums on which he served as band-leader, recorded for the Roost label between 1955 and 1960. Containing all of this most underrated Jazz master's finest compositions and performances, the collection will work equally well for those new to Smith's music and those who merely require a delightful reminder of his most extraordinary work and most unusual talent.

Verve's Great Songs/Great Performances series is yet another attempt in a seemingly never-ending stream of them to repackage – and hopefully resell – their vast catalog of jazz and blues. They're super cheap in both cost and presentation, but the music is almost always stellar. Jimmy Smith's Plays the Hits volume is no exception. These eight selection are covers of tunes by the Rolling Stones ("(I Can't Get No) Satisfaction"), Fats Domino ("Blueberry Hill"), Don Covay ("Chain of Fools") James Brown ("Papa's Got a Brand New Bag"), Otis Redding ("Respect"), Al Green ("Let's Stay Together"), and others. It's a groove lover's cheap dream. Dana Smart's track selection here is terrific, and whether the producer is Creed Taylor, Esmond Edwards, or Eric Miller, whether it was a small-band jam or an orchestral session arranged and conducted by Oliver Nelson, the result is the same – funky soul-jazz that was a couple steps away from the Blue Note hard bop and early soul-jazz sound, toward something Smith heard in rock and soul music and big-band charts of '60s pop tunes.