Crosby Nash Stills

Maybe it took more than nine months to come up with another batch of first-rate material, or maybe David Crosby and Graham Nash were saving their first-rate material for the next Crosby, Stills & Nash album, but Whistling Down the Wire, their third and final new studio album as a duo, was a distinctly second-rate effort. As usual, Crosby's loosely arranged jazz-blues tunes were offset by Nash's more pop-oriented songs, but this time around neither of them came up with anything memorable. Crosby seemed most comfortable on his "Dancer," an instrumental, while Nash expressed himself in poetic metaphors that were difficult to follow. In "J.B.'s [Jackson Browne's?] Blues," he seemed to have what be considered a potentially critical message to deliver to a friend, but to his wider audience it seemed merely cryptic. Happily, Crosby and Nash bounced back the following year when they reunited with Stephen Stills for CSN.

Live It Up is the tenth album by Crosby, Stills & Nash, their fourth studio album in the trio configuration, released on Atlantic Records in 1990. It peaked at #57 on the Billboard 200 with current sales of 300,000. It is the first of their studio albums not to gain either a gold or platinum certification by the. It was issued in all formats at the time (compact disc, cassette tape, and vinyl record) and was later released for streaming on Spotify and both streaming and download on Qobuz.

Another Stoney Evening is the sixth album by the duo of David Crosby and Graham Nash, issued in 1998 on Grateful Dead Records, catalog GDCD 4057. It had been recorded at the Dorothy Chandler Pavilion in Los Angeles, California more than 26 years prior to its release.

Another Stoney Evening is the sixth album by the duo of David Crosby and Graham Nash, issued in 1998 on Grateful Dead Records, catalog GDCD 4057. It had been recorded at the Dorothy Chandler Pavilion in Los Angeles, California more than 26 years prior to its release.

When David Crosby, Stephen Stills and Graham Nash created this pop super trio in 1968 after their splits from the Byrds, Buffalo Springfield and The Hollies, respectively, it would have been a pipedream that a hits package released 37 years later would sound as eternal and essential as this one. The 19 songs straddle the four-album, landscape-altered timeframe between 1969's post-Woodstock debut Crosby, Stills & Nash and 1982's Daylight Again, which helped inaugurate the MTV era. Unbalanced sequencing–which randomly bounces 12 years ahead and five years back–is rescued by the superb harmonies, unique songwriting and divergent personalities of the three members. With politics and culture always at the forefront, Stills bookends the band's trademark canon with "Suite: Judy Blue Eyes" and "Southern Cross," Nash incorporates Eastern influences to "Marrakesh Express" and folk timber to "Just a Song Before I Go" and "Teach Your Children," and the ever-capricious Crosby leads the way lyrically with the lingering "Delta" to the Robert Kennedy tribute "Long Time Gone".