Cub Classic

Though John Barry achieved popular recognition for the swinging, loungey, noir-ish soundtracks he composed for the James Bond films, he moved to the front rank of film composers with his score for 1966's BORN FREE. Stylistically, the music of BORN FREE is miles removed from Barry's Bond soundtracks, though the composer's fondness for brass fanfares, stirring strings, and lush, intricate charts with stunning dynamic range is still intact. On the whole, however, the music to BORN FREE has a playful, innocent quality, evoking the nature of the wild animals at the film's center. As the movie is set in Africa, Barry employs a range of African percussion instruments, and sections of flute music (which often seem to echo the sounds of birds or other creatures). The arrangements are expansive and sweeping, giving rise to the sensation of open plains, and Barry's recurring musical themes parallel the film's action (the track titles indicate plot events). The score is, for the most part, surprisingly subdued, with occasional bursts of energy (mirroring tumultuous events onscreen) and its stirring title theme the exceptions. Barry won an Academy Award for the score in 1966.

Brownsville Station - No BS (1970) {Wounded Bird Records WOU 1888 rel 2005}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 206 Mb | MP3 @320 -> 70 Mb
Full Artwork @ 300 dpi (jpg) -> 11 Mb | 5% repair rar
© 1970, 2005 Palladium Records / Wounded Bird Records | WOU 1888
Rock / Boogie Rock / Hard Rock / Rock & Roll

I saw the Beatles, The Rolling Stones, The Doors (a lot), Country Joe and the Fish, Jefferson Airplane and many other groups too numerous to name in the '60's and '70's but when people ask me who put on the the most energetic, entertaining live show, it was Brownsville Station. Brownsville Station, led by Cubby Koda and Michael Lutz, with TJ Cronley and Tony Driggins played the grand venue of the Falls Church (Virginia) Community Center in the early 70's. What a show! They were Led Zeppelin playing loud "electric" high energy versions of fifties boogie rock! And they knew how to rock and roll.

Known in her heyday as "the blues sensation of the West," the big-voiced Sara Martin was one of the best of the classic female blues singers of the '20s. Martin began her career as a vaudeville performer, switching to blues singing in the early '20s. In 1922, she began recording for OKeh Records, cutting a number of bawdy blues like "Mean Tight Mama." She continued recording until 1928. During this time, Martin became a popular performer on the southern Theater Owners' Booking Association circuits, eventually playing theaters and clubs on the east coast as well. In the early '30s, Sara Martin retired from blues singing and settled in her hometown of Louisville, Kentucky. While she was in Louisville, she ran a nursing home and occasionally sang gospel in church. Sara Martin died after suffering a stroke in 1955.

As the original guitarist of Stax Records house band Booker T. & The M.G.'s., Steve Cropper has had a storied career. Voted #36 on Rolling Stone's 100 Greatest Guitarists Of All Time, Cropper has worked with blues legends such as Otis Redding, Wilson Pickett, and the Blues Brothers Band. His debut album on 429 Records is a tribute to R&B and doo wop act, The 5 Royales. The collection features reworked versions of the groups most enduring songs, and includes duets with Lucinda Williams, Bettye LaVette, John Popper, Sharon Jones, and others.

Led by John Kay (born Joachim Krauledat, April 12, 1944), Steppenwolf's blazing biker anthem "Born to Be Wild" roared out of speakers everywhere in the fiery summer of 1968, John Kay's threatening rasp sounding a mesmerizing call to arms to the counterculture movement rapidly sprouting up nationwide…