Cut Flowers of The World

During the latter half of the '80s a new breed of guitar-orientated bands began to emerge in the UK - armed with an overt pop song craft sensibility, and enamoured with a conflicting post-punk spirit and adoration of the '60s, many of these unlikely acts - all anoraks, Dr Martens and charity shop chic - would go on to become Top 40 regulars and set the tone for music beyond these shores, culminating in 'The Stone Roses', an album that defined a generation. 'Cut Me Deep' - named for a Jasmine Minks track which captured that spirit - presents a snapshot of that time and place, via essential independent labels such as Creation, Sarah Records and 4AD, and their major backed counterparts in Blanco Y Negro et al, alongside distribution via Rough Trade and other like-minded outlets. With an electric guitar in hand (no Stratocasters here please), and resplendent in clothes as immaculately and cheaply curated as their record collections, a new generation of British musicians kickstarted what would become the only credible challenge to the increasingly dominant synthesiser pop scene of the late 1980's.

In the midst of the forest, the floor is littered with monstrous heads and mythical figures, frozen in torturous combat or threatened by wild beasts. A dragon fights a dog and a wolf. A lion sinks its teeth into the fire-breathing monster’s chest.

In the midst of the forest, the floor is littered with monstrous heads and mythical figures, frozen in torturous combat or threatened by wild beasts. A dragon fights a dog and a wolf. A lion sinks its teeth into the fire-breathing monster’s chest.

In the wake of the success of Jersey Boys, the theatrical production based on the Four Seasons' lives, Rhino issued this impressive three-CD, 76-track box set, which also includes a DVD of a dozen film clips from 1962-1975. It's never been hard to find a Four Seasons best-of that includes all their big hits (which are all here as well), but for those who want a bigger collection of the group's material, this fills the bill well. The usual intelligence Rhino brings to such large career retrospectives is in force here, the songs including numerous low-charting singles that usually don't make the cut for best-of anthologies; various LP-only tracks, and B-sides; Frankie Valli solo efforts; singles they released under the pseudonym of the Wonder Who?; and much more material from their post-1967 era than is found on most compilations. In fact, most of the really popular stuff is on disc one and the first half of disc two, though the box runs all the way through their comeback hits in the mid-'70s and a few stray releases from subsequent decades.