Cypress Version 13

Cellist Gary Hoffman joins the Cypress String Quartet in this 2013 rendition of Franz Schubert's String Quintet in C major, D. 956, one of the supreme masterpieces in chamber music. The performance on this release from Avie is energetic and passionate, and the listener becomes deeply engrossed from the outset because the highly expressive playing is immediately compelling.

The worlds of the crossover album and of the ECM music label don't overlap much, but this is a crossover album unlike any other released up to this time. For one thing, it deals with the Renaissance lute song, not a form in which new pieces have been written often. And for another, the vocal middle ground between Renaissance vocal styles and the rock background of the contemporary composers is unique. What is here are Renaissance lute songs from England and Spain, plus songs by John Paul Jones of Led Zeppelin, Tony Banks of Genesis, and, at the end, Sting, expanding on his Dowland album of a decade ago.

Hard Time Killin' Floor isn't the first Skip James collection, and one could bet it will not be the last. But Hard Time Killin' Floor makes a pretty good argument for itself: the hour-and-six-minute album holds all of James' early work, and it's been remastered. James' soulful vocal style, like Robert Johnson's, has often been noted, but his quick picking style is also distinctive. "I'm So Glad" is performed at an up-tempo, breakneck pace, and the finger work will leave the listener dizzy. The title cut, on the other hand, has a slow, lazy quality, with the blue notes of the guitar matching the singer's mournful cry. James was somewhat unique among blues guitarists in that he also played piano. His spunky gospel style is on full display on songs like "How Long Buck" and the bizarrely titled "Little Cow and Calf Is Gonna Die Blues"…