This book (entablature) of lute pieces was published about 1530 by Francesco da Milano (1497-1543), known in his day along with Michelangelo as "Il Divino." The foremost lutenist of the Italian Renaissance, he served three popes and two cardinals. His works were published throughout Europe. "Clear phrasing captured by Beier with exquisite taste and without ostentation." -Goldberg
Massimo Lonardi avait bien enregistré un album assez réussi, consacré lui aussi à la fois à Milano et Borrono, mais cet album de Paolo Cherici, de toute facon plus disponible, est la meilleure facon de découvrir Pietro Paolo Borrono, un des compositeurs majeurs du XVIe siècle italien, particulièrement réputé pour ses danses, et un des plus oubliés au disque (même s'il est régulièrement cité dans les anthologies via une ou deux pièces) maintenant que presque tous les autres grands luthistes, hormis Dalza (même si le même Paolo Cherici a enregistré un très bon album Dalza - Spinacino chez Pan classics), ont eu droit à leur disque dédié: Spinacino, Dall'Aquila, Capirola, Alberto da Ripa… et bien sûr Milano dont la discographie est maintenant riche.
Francesco Canona or Canova was born near Milan in 1497 and died in 1543. It was his place of birth rather than his family name which was almost exclusively used when referring to him during his professional life. He was the personal lutenist in Rome to Cardinal Ippolito de Medici and to Popes Leo X (1513-1521), Clement VII (1523-34), and Paul III (1534-1549). Francesco’s first printed works date from 1536. In that year, three publications appeared, two of which were devoted only to works by Francesco. The third was an anthology in which his music can be found alongside anonymous dances and pieces by his contemporaries.
Paul O’Dette is American classical guitarist and lutenist, born in Columbus, Ohio, February 2, 1954.
In 1536, the Alsatian printer Johannes Sultzbach, renowned for having adopted in his work the most modern typographic techniques of his time, published in Naples two volumes of music dedicated to the work of Francesco Canova detto 'da Milano', Il Divino, under the title Libro della Fortuna (Book of Fortune). This fact, apparently normal in a country known for its solid printing tradition, was nevertheless surrounded by oddities and peculiarities of all kinds, and only an accumulation of coincidences made it possible. A good part of these coincidences had to do with Spain. Let us tell you this story.