Dan Norris The 7

Give this vet credit for getting funding from the Aaron Copland Fund for Music and making a big band date that feels true to Copland’s vision and vibe. A large, sweeping date, this is one of those jazz/Americana dates that exists in an interesting hybrid zone where it isn’t jazz into classical, isn’t quite NAC, isn’t quite Americana but is something that has what it takes to please all. With an undeniably delightful vibe powering things along throughout, Vazquez not only has a winner here, this date is one for the ages for quality, instrumental music fans. Hot stuff.

Episode six begins with a biographical comparison of Ulysses S. Grant and Robert E. Lee and then chronicles the extraordinary series of battles that pitted the two generals against each other from the wilderness to Petersburg in Virginia. In 30 days, the two armies lose more men than both sides have lost in three years of war. With Grant and Lee finally deadlocked at Petersburg, we visit the ghastly hospitals north and south and follow General Sherman's Atlanta campaign through the mountains of north Georgia. As the horrendous casualty lists increase, Lincoln's chances for re-election begin to dim, and with them the possibility of Union victory.

This episode charts the dramatic events that led to Lincoln’s decision to set the slaves free. Convinced by July 1862 that emancipation was now morally and militarily crucial to the future of the Union, Lincoln must wait for a victory to issue his proclamation. But as the year wears on there are no Union victories to be had, thanks to the brilliance of Stonewall Jackson and Robert E. Lee. The episode comes to a climax in September 1862 with Lee’s invasion of Maryland. On the banks of Antietam Creek, the bloodiest day of the war takes place, followed shortly by the brightest: the emancipation of the slaves.

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