Action film director John Badham bites the hand that feeds him in this action movie spoof that features ribbing of pretty-boy Hollywood action stars by Michael J. Fox and a parody of colorful, hair-trigger James Woods types by the man himself. Woods plays New York homicide detective John Moss, who is within an inch of closing in on a serial killer who calls himself The Party Crasher (Stephen Lang) because his specialty is shooting his victims in the middle of discos. Chasing The Party Crasher after his latest victim has been dispatched, Moss finds himself hanging onto the door of a speeding truck with The Party Crasher at the wheel. When Moss is thrown off the truck and nearly killed, The Party Crasher escapes, and Moss is taken off the case. Moss is given a new assignment –to tag around with Hollywood action film star Nick Lang (Michael J. Fox), the popular hero of the "Smoking Gun" movies. Lang spotted Moss on a television news show and thinks he would be the ideal cop to study for adding authenticity to an up-coming police action picture.
Martha Argerich’s long career has taken in many outstanding solo performances, but she has often professed to feeling ‘lonely’ on stage. This CD showcases the area in which she feels truly at home: her extensive and fruitful collaborations with other first-class musicians. Among the many younger pianists she has taken under her wing at her academy in Lugano are Lilya Zilberstein, who rose to fame in the 1990s and whose sparkling playing is also featured on this disc, as well as Nelson Goerner, whose collaboration with Argerich in Rachmaninov’s nostalgic Symphonic Dances is released here for the first time.
After Neil Young left the California folk-rock band Buffalo Springfield in 1968, he slowly established himself as one of the most influential and idiosyncratic singer/songwriters of his generation. Young's body of work ranks second only to Bob Dylan in terms of depth, and he was able to sustain his critical reputation, as well as record sales, for a longer period of time than Dylan, partially because of his willfully perverse work ethic.