Dark Tree Jazz

The first compilation of the facebook page Doom Jazz / Dark Jazz / Funeral Jazz, a new tribute to these sounds with some of the best bands of the genre and currently active. Compilation edited by Adriano Vincenti (Macelleria Mobile di Mezzanotte, Detour Doom Project, Senketsu No Night Club, Last call at Nightowls) with the help of Maria Ruvalcaba Uribe (Last Call in Nighthowls) and Sam Obscure (Midnight Radio - Noir Jazz).

Aptly titled, 'The Great Vocalists Of Jazz & Entertainment', culls 748 of the absolute finest recordings by top singers of the pre-rock era of the '30s, '40s & '50s.

Various Artists - From Modern Jazz To New Thing (1957-1959) - La Grande Histoire Du Jazz Vol. 4 (2010) {Box 25CD - 100 of 100}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 11.5 Gb | MP3 @320 -> 5.02 Gb
Full Artwork @ 300 dpi (png) -> 745 Mb | 5% repair rar
© 1957-59б 2010 Le Chant du Monde | 574 1975.99
Jazz / Hard Bop / Modal Music / Third Stream

An epic 100 CD chronological documentation of the history of jazz music from 1898 to 1959, housed in four boxed sets. Each box contains 25 slipcase CDs, a booklet (up to 186 pages) and an index. The booklets contain extensive notes (Eng/Fr) with recording dates and line-ups. 31 hours of music in each box, totalling 1677 tracks Each track has been restored and mastered from original sources.

Pianist Horace Tapscott is always at his best when he is leading a trio. This rare outing features Tapscott with his longtime bassist Roberto Miranda and drummer Sonship on three extended performances including Tapscott's colorful "Sketches Of Drunken Mary" and a 21-minute version of "The Dark Tree."

Excellent introduction to the early days of Steven Wilson and his seminal band Porcupine Tree, with a thoughtful collection of album tracks, b-sides and rarities curated by Wilson himself, with the same attention to detail that we’ve come to expect from his flourishing solo career.

Equal parts retrospective, autobiography, and objet d'art, Björk's Family Tree gives fans a very special glimpse at the creative processes behind her work, collecting two decades' worth of her music and words in a unique, lavishly packaged set. A white paper sleeve embossed with work by Icelandic artist Gabriela Fridriksdottir holds a translucent, petal-pink plastic case containing five 3" discs of "Roots," "Beats," and "Strings"; a collection of Björk's favorite songs from her albums; "Words," a booklet of selected lyrics; and an essay by Björk explaining the genesis of this set, which manages to use phrases like "taxonomic structure" and "a new Icelandic modern musical language" without sounding too ambitiously academic…