David Gilmour 2025

The Luck and Strange Concerts (Carpe Diem Edition). The deluxe digital version of David Gilmour's new live album recorded on his sellout Luck and Strange tour, featuring four additional bonus tracks unavailable elsewhere: two exclusive demos from the Luck and Strange recording sessions (Between Two Points and Piper's Call) plus two recordings from the special livestream from the pre-tour rehearsals (Breathe (In The Air)/Time and Dark and Velvet Nights). Comes with digital album booklet featuring exclusive, unseen photos from the London Royal Albert Hall shows.

23 live tracks from the acclaimed Luck and Strange Tour on 2 CDs with a 24-page booklet, featuring photographs from the tour. Produced by Charlie Andrew and David Gilmour.

The Luck and Strange Concerts (Carpe Diem Edition). The deluxe digital version of David Gilmour's new live album recorded on his sellout Luck and Strange tour, featuring four additional bonus tracks unavailable elsewhere: two exclusive demos from the Luck and Strange recording sessions (Between Two Points and Piper's Call) plus two recordings from the special livestream from the pre-tour rehearsals (Breathe (In The Air)/Time and Dark and Velvet Nights). Comes with digital album booklet featuring exclusive, unseen photos from the London Royal Albert Hall shows.

David Bowie 6. I Can’t Give Everything Away (2002 - 2016) is the sixth in a series of box sets spanning Bowie’s career from 1969.

David Bowie 6. I Can’t Give Everything Away (2002 - 2016) is the sixth in a series of box sets spanning Bowie’s career from 1969. The thirteen-piece CD box set is named after the closing track on ★ (BLACKSTAR), Bowie’s final studio album. The box sets include newly remastered versions (except ★ and No Plan), with input from David’s co-producer Tony Visconti.

David Bowie 6. I Can’t Give Everything Away (2002 - 2016) is the sixth in a series of box sets spanning Bowie’s career from 1969. The thirteen-piece CD box set is named after the closing track on ★ (BLACKSTAR), Bowie’s final studio album. The box sets include newly remastered versions (except ★ and No Plan), with input from David’s co-producer Tony Visconti. Exclusive to each of the box sets are Montreux Jazz Festival and Re:Call 6. The former was recorded on the 18th of July 2002 at the prestigious Montreux Jazz Festival and among the 31 tracks features a full performance bar one song of one of Bowie’s most revered albums, Low. Re:Call 6 features 41 non-album / alternative versions / b-sides and soundtrack songs, including tracks never previously available on CD. An accompanying 128-page book features previously unseen notes, drawings and handwritten lyrics from Bowie and photos by Sukita (who took the set’s cover shot), Jimmy King, Frank W. Ockenfels 3, Markus Klinko, Mark ‘Blammo’ Adams and more as well as memorabilia, technical notes about the albums from co-producer Tony Visconti and design notes from Jonathan Barnbrook. The CD box includes faithfully reproduced mini-vinyl versions of the original albums where applicable, and the CDs will be gold-coloured rather than the usual silver. 13 CD Box Set + 128-page hardback book

Andy spent many years in Eric Clapton's band and this album demonstrates why he is guitarist of choice for the elite blues artists of our time. Andy's 'hit record' career has overshadowed his undeniable credentials as a great bluesman - a talent that hasn't escaped the notice of some of the world's finest artists who have drawn on his skills as a guitarist and singer. Eric Clapton of course heads the impressive list of former employers and collaborators from the blues world including, Jimi Hendrix (no kidding), Jeff Beck, BB King, Jimmy Page, Buddy Guy, Otis Rush, Van Morrison and many more. These guys know. Aside from his own work, the impressive list of discerning employers and collaborators he has played with includes, Bob Dylan, Roger Waters, Eric Clapton, George Harrison, Elton John, Jimi Hendrix, David Crosby, The Band, Richard and Linda Thompson, David Gilmour, The Who, BB King, Joe Cocker, Steve Winwood, Donald 'Duck' Dunn, Jimmy Page, Ronnie Lane, Linda Ronstadt, Emmylou Harris, Joe Satriani, Jeff Beck, The Impressions, Lonnie Donegan, Ringo Starr, Steve Gadd, David Sanborn, Benmont Tench, Warren Zevon, Stevie Nicks, Charlie Watts, Mary J. Blige, Dave Edmunds, Georgie Fame, Bonnie Raitt, Otis Rush, Phil Collins, Van Morrison, Gerry Rafferty, Chris Rea, Buddy Guy, Chris Barber, Jackson Browne, Bill Wyman, Sheryl Crow, Helen Watson, Charlie Dore, Clarence 'Gatemouth' Brown, Pete Townshend, Kate Bush, Paul Weller, Mick Hucknall, Paul Young, and hundreds more.

David Bowie One of the greatest stars of the rock & roll era, David Bowie evaded easy categorization throughout his career, operating as the artiest rocker within the mainstream and the most accessible musician on the fringe. Bowie may have trafficked in ideas cultivated in the underground, but he was never quite an outsider as far as rock & roll was concerned. From the outset of his career in the 1960s, he attempted to break into the Top 40, playing British blues, mod rock & roll, and ornate pop before finally hitting paydirt as a hippie singer/songwriter. "Space Oddity" gave Bowie his breakthrough in the U.K., reaching the Top Ten in the summer of 1969 – the summer of Apollo 11 – and it belatedly performed a similar feat in America, giving him his first Top 20 hit early in 1973. By that point, Bowie had traded his folkie persona for the glam-rock alien Ziggy Stardust, one of the many shifts of sound and image that came to define his career.

Pink Floyd’s fourth album, Ummagumma, represented a departure from the band’s previous work. Released as a double LP, the first two sides contained live performances, while the second LP provides a single experimental contribution from each member. Released in November 1969, it received positive reviews and reached number five, spending 21 weeks on the UK chart. A year on, in October 1970, Floyd released Atom Heart Mother. Roger Waters was critical of the album, claiming that he would prefer if it were "thrown into the dustbin and never listened to by anyone ever again.”