David Madison

At the height of the early-2010s EDM boom, French producer David Guetta pumped out hit after hit before the formulaic pop-singer-plus-big-beat combination became ubiquitous and repetitive. Even Guetta began losing steam: 2011's Nothing But the Beat and 2014's Listen housed a handful of standouts, but the DJ seemed to be on autopilot.

This 1999 session finds Honeyboy working his acoustic magic in the company of Madison Slim on harmonica and Jimmy D. Lane, son of the late Jimmy Rogers, on second guitar. Recorded at the Blue Heaven Studios (a converted church) in Salina, Kansas, this is a pretty inspired session with Edwards running through old classics like Charlie Patton's "High Water Everywhere" and "Pony Blues", "Drop Down Mama", "Shake 'Em on Down", "Anna Lee", "Bullfrog Blues", and "Monkey Face Woman". As an added bonus, there's also an interview with this fascinating bluesman, making this session a real keeper. One of his best.

Film, television, and video game music composer Daniel Pemberton got his start in avant-garde and ambient electronic music, influenced as a teenager by statuesque electronic artists such as Jean Michel Jarre, Tomita, and Vangelis. Pemberton began collecting keyboard gear at an early age and wrote a tips column for a video game magazine to earn enough money for increasingly high-end equipment. He also began recording his own compositions, and passed a tape on to Mixmaster Morris at one of his gigs. When word (as well as additional tapes) continued to spread, Pemberton recorded his debut album, Bedroom, which gained release in late 1994 for Pete Namlook's highly collectible Fax Records. The Mixmaster Morris connection also led to work for Coldcut's Ninja Tune label, including a DJ Vadim remix released on the latter's U.S.S.R. Reconstruction LP. Soon after the release of Bedroom, Pemberton moved into composing for television with his first soundtrack, written for a Channel 4 documentary, but his career scoring for television, film, and video games truly took off after the turn of the millennium.

This 1999 session finds Honeyboy working his acoustic magic in the company of Madison Slim on harmonica and Jimmy D. Lane, son of the late Jimmy Rogers, on second guitar. Recorded at the Blue Heaven Studios (a converted church) in Salina, Kansas, this is a pretty inspired session with Edwards running through old classics like Charlie Patton's "High Water Everywhere" and "Pony Blues", "Drop Down Mama", "Shake 'Em on Down", "Anna Lee", "Bullfrog Blues", and "Monkey Face Woman". As an added bonus, there's also an interview with this fascinating bluesman, making this session a real keeper. One of his best.

The late, great David Bowie would have been 73 years old today. Those in charge of managing his legacy are commemorating the occasion with the announcement of two new releases constituting some of the only previously unreleased music to emerge since his death three years ago.

REHEARSAL BROADCAST FOR BOWIE S 50th BIRTHDAY BASH His other milestone birthdays had passed privately, but for his 50th Bowie threw himself a celebration at Madison Square Garden; it was simulcast via pay-per-view television. As a consolation prize to Britain, Bowie, Gail Ann Dorsey and Reeves Gabrels cut ten songs during rehearsals to be played on a Radio One special to air on the same day. Bowie opened with Little Wonder dug into Hearts Filthy Lesson . Some guests were a subtle nod at Tin Machine s influences: Frank Black, who came on to sing Scary Monsters and Fashion and Sonic Youth, who bloodied up I m Afraid of Americans . Dave Grohl added munitions to Seven Years in Tibet and Hallo Spaceboy . Robert Smith, the most inspired guest choice, sang The Last Thing You Should Do and an oddly heartening Quicksand (Smith had lobbied to sing Young Americans ). Billy Corgan helped close out the show like a kid who d won a contest. For some fans, this immersion in the present tense was disappointing. The biographer David Buckley made a case for the prosecution: Playing live with Iggy Pop for the first time in 20 years. Playing live with Robert Fripp and Brian Eno for the first time ever. Bringing on Nile Rodgers for Let s Dance. The only person who d been invited that night who actually hailed from Bowie s past, who had been Bowie s influence, was Lou Reed. At the end of the show, Bowie made a concession: he came out alone with his 12-string acoustic guitar and sang Space Oddity . I don t know where I m going from here, he said. But I promise I won t bore you. Then he was off for another year of tours and TV spots. He d dodged the snare, at least this time.

Concert organisé par Bowie lui-même pour fêter ses 50 ans, Parmi ses invités : Frank Black, Robert Smith (The Cure), Lou Reed, The Foo Fighters, Sonic Youth, Billy Corgan…Recorded Live At Madison Square Garden, New York January, 9 1997.

"7" is the seventh studio album by French DJ and record producer David Guetta, released on 14 September 2018 by What a Music, Parlophone Records and Warner Music. Released as a double album, the collection features commercial pop collaborations on the first disc, whilst disc two features underground house music akin to Guetta's starting roots as a DJ. The latter is credited to Jack Back, which Guetta revealed to be his alias and as a means to release more dance music alongside his pop collaborations. This side of the album was also released independently as a mixtape titled the Jack Back Project, preceded by the release of the song "Overtone". "7" was made available to pre-order on 23 August 2018 via Guetta's official website with options to pre-save the album stream on Apple Music, Spotify and Deezer, as well as purchase via Amazon as either a digital download, CD or vinyl.