David Newton

A belief that the ancients held unusual scientific knowledge, of which only fragments remain today, was held by many great philosophers and scientists who participated in the "scientific revolution".

48 Original Tracks is a greatest hits album by Olivia Newton-John that was released in 1994, it is the most extensive compilation of her early material launched for the singer. This collection includes three rarities - "Would You Follow Me", "Maybe Then I'll Think Of You" and "It's So Hard To Say Goodbye", which didn't appear on any of Olivia's studio album.

"Come On Over" is the 8th studio album by Olivia Newton-John, released on 29 February 1976. It peaked at #2 on the US Country albums chart, and #13 on the Billboard 200. The album's first track, a cover of Dolly Parton's "Jolene", was only released as a single in Japan, and it became a hit there, peaking at #11 on the Oricon Singles Chart. The album itself was also a success in the Japanese market, reaching the #2 position on the Oricon Albums Chart. In the US, the only single released from the album was the title song, written by Barry Gibb and Robin Gibb and originally featured on the Bee Gees' 1975 album "Main Course". It was a moderate pop hit, peaking at #23 on the US Billboard Hot 100, but did much better on the Country (#5) and Adult Contemporary (7th of 10 #1 singles) charts. In New Zealand, the title track reached #3. The album was certified Gold.

This book is based on my doctoral dissertation from the Hebrew University of Jerusalem (1996) of the same title. As a master's student, working on an entirely different project, I was well aware that many of Newton's theological manuscripts were located in our own Jewish National and University Library, but I was under the mistaken assumption that scores of highly qualified scholars must be assiduously scouring them and publishing their results. It never occurred to me to look at them at all until, having fmished my master's, I spoke to Professor David Katz at Tel-Aviv University about an idea I had for doctoral research. Professor Katz informed me that the project I had suggested was one which he himself had just fmished, but that I might be interested in working on the famous Newton manuscripts in the context of a project being organized by him, Richard Popkin, James Force, and the late Betty Jo Teeter Dobbs, to study and publish Newton's theological material. I asked him whether he was not sending me into the shark-infested waters of highly competitive scholarship, and learned that in fact there were only a handful of scholars in the world who actively studied and published on Newton's theology. At the time the group consisted mainly of Popkin, Force, Dobbs, Frank Manuel, Kenneth Knoespel, and David Castillejo.

This book is based on my doctoral dissertation from the Hebrew University of Jerusalem (1996) of the same title. As a master's student, working on an entirely different project, I was well aware that many of Newton's theological manuscripts were located in our own Jewish National and University Library, but I was under the mistaken assumption that scores of highly qualified scholars must be assiduously scouring them and publishing their results. It never occurred to me to look at them at all until, having fmished my master's, I spoke to Professor David Katz at Tel-Aviv University about an idea I had for doctoral research. Professor Katz informed me that the project I had suggested was one which he himself had just fmished, but that I might be interested in working on the famous Newton manuscripts in the context of a project being organized by him, Richard Popkin, James Force, and the late Betty Jo Teeter Dobbs, to study and publish Newton's theological material. I asked him whether he was not sending me into the shark-infested waters of highly competitive scholarship, and learned that in fact there were only a handful of scholars in the world who actively studied and published on Newton's theology. At the time the group consisted mainly of Popkin, Force, Dobbs, Frank Manuel, Kenneth Knoespel, and David Castillejo.

Fantastic Beasts: The Secrets of Dumbledore is a 2022 fantasy film directed by David Yates from a screenplay by J. K. Rowling and Steve Kloves. It is the sequel to Fantastic Beasts: The Crimes of Grindelwald (2018), the third instalment in the Fantastic Beasts film series, and the eleventh overall in the Wizarding World franchise.Pianist, producer, and composer James Newton Howard scored over 60 films beginning in the mid-'80s, including The Fugitive, The Prince of Tides, Pretty Woman, Glengarry Glen Ross, Batman Begins, Michael Clayton, and the Hunger Games series.He has received numerous Oscar nominations, and won an Emmy Award for his theme for the television show Gideon's Crossing and a Grammy Award in 2009 for his work on The Dark Knight. Those accolades brought continued high-profile film work, such as 2012's The Bourne Legacy, the Hunger Games franchise, and the Huntsman film series. He made his debut in the Harry Potter universe with 2016's Fantastic Beasts and Where to Find Them.