Davis Berg

Mike Stern's debut as a leader mostly features the high-powered guitarist heading a sextet also including tenor saxophonist Bob Berg, keyboardist Mitch Forman, bassist Mark Egan, drummer Dave Weckl and percussionist Dr. Gibbs. Altoist David Sanborn makes a guest appearance on "Goodbye Again," while "Mood Swings" features the quartet of Stern, Berg, electric bassist Jaco Pastorius (with whom Stern had worked in the Word of Mouth Orchestra) and drummer Steve Jordan. The guitarist wrote or co-wrote all six selections, which generally have viable chord changes. The playing mostly fits into the genre of funky fusion, with Stern's passionate guitar heard throughout in fine form.

RCO - Anthology of the Royal Concertgebouw Orchestra, Volume 4, 1970-1980 (2006) {14CD Box Set, RCO 06004} (Complete Artwork)
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© 1970-80, 2006 Radio Netherlands Music / RCO LIve | RCO 06004
Classical / Orchestral

Naturally, this 14-disc set of live recordings of the Concertgebouw Orchestra from 1970 through 1980 is only for the hardest of hardcore collectors. Who else would be interested in a collection that mixes Beethoven with Boulez, Baird and Berio, Tchaikovsky with Lutoslawski, Ginastera and Caplet, Rachmaninov with Reger, and Martin and Walton? But for the hardest of the hardcore, this set will be filled with delights. Where else could one find Karel Ancerl's suave account of Haydn's "Oxford" Symphony, Eugen Jochum's sweet account of Reger's Serenade in G major, Kiril Kondrashin's thrilling account of Sibelius' En Saga, Elly Ameling's seductive account of Berg's Der Wein, or Paul Badura-Skoda's evocative account of Martin's Second Piano Concerto?

Pegged years ago by the late Kenny Kirkland as a rising piano star, Antonio Farao has realized his potential and established himself as one of Europe's most respected young players. The Italian pianist teamed his trio with tenor saxophonist Bob Berg in this CD made less than two months before Berg's death in a traffic accident in December, 2002. Farao and Berg were a perfectly matched pair, technical whizzes and masters of an international style not centered in the obvious characteristics of any country or jazz idiom.

Chick Corea - Music Forever & Beyond. The Selected Works Of Chick Corea 1964-1996 (1996) [5CD BoxSet] {GRP Records}
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© 1996 GRP Records | GRD-5-9819
Jazz / Post Bop / Fusion / Piano

This very attractive five-CD set does an excellent job of summing up the rather productive career of pianist-keyboardist Chick Corea. The first two discs have highlights from the 1964-1982 period including a few sideman appearances, a previously unissued version of "Windows" played with Stan Getz, the original version of "Spain," four pieces from the Return to Forever days, and numbers from his freelance projects of the late '70s (highlighted by the exciting "Central Park"). The third disc concentrates on Corea's GRP projects (1986-1994), particularly his Elektric and Akoustic Bands (two selections were previously unissued), while the fourth CD is quite a grab-bag that includes collaborations with Herbie Hancock (a version of "Liza" that progresses from stride to free), Gayle Moran, John McLaughlin, Paco DeLucia, Gary Burton, Bobby McFerrin, and Miles Davis (a new duet version of "I Fall in Love So Easily" from 1969).

Cinema 's latest art, in other words the seventh art. Six other arts include theater, painting, sculpture, music and dance. Among these are the only art cinema is not only to serve a six-art but also promoting them have been able to forgive. As well as the cinema industry, the technique is also employed in your text. In the collection you will be familiar with the cinema and science of cinema.

This 50-CD collection of analogue albums aims to represent the heyday of Philips’ passion for great natural sound – the Stereo Years. There was a firm belief within the label’s team that recording technique was there to serve the music - the Musicians had their own views about how any given piece should be interpreted and how it should sound; the recording team’s job was to grasp that vision and make it a reality. This recording philosophy, combined with great artistry and visionary repertoire policy, created a special chapter in the history of classical music recordings that still inspires artists, sound engineers and collectors alike.