de Loreran

The word "fabulous" seems vulgar when applied to the Spanish diva whose delicately shaded voice encompassed music from the middle ages to the present. This four-disc compilation emphasizes her song repertoire, to which she brought warmth, intelligence, linguistic integrity and irresistible sincerity. Her dignity makes listeners want to come to her, and she rewards them with an intimate, personal experience, especially in this small-scale repertoire by Ravel, Debussy, Duparc, Fauré, lots of Spanish composers and German masters such as Schubert and Brahms. David Patrick Stearns @ Amazon.com

(…) Les Chants de Nectaire is a perfect example of Koechlin's love of monody and of his comprehensive understanding of the possibilities of the flute. The range of the pieces is deceptively wide - from quiet, almost becalmed meditations to furious, abandoned dances in which the metre is ever changing and sometimes non-existent, while the melodies move from modality and diatonic purity to complex chromaticism, to create a flickering patchwork of moods. The technical demands on the player are enormous (not surprisingly this is the first ever recording of the complete cycle) but Pierre-Yves Artaud is one of the world's greatest flautists, and lavishes all his artistry on these haunting miniatures. - Andrew Clements, The Guardian

Cançó d'amor i de guerra (en español «Canción de amor y de guerra») es una zarzuela en catalán escrita en dos actos, que se estrenó el 16 de abril de 1926 en el Teatre Nou de Barcelona. Se convirtió en el primer gran éxito del compositor valenciano Rafael Martínez Valls, con texto de Lluís Capdevila y Víctor Mora.

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