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Los Planes Maestros juegan un papel importante en el entendimiento de los objetivos de conservación de un ANP. Este documento, considerado como el instrumento de gestión de más alto nivel dentro del ANP, presenta el ordenamiento del área para su correcta gestión, establece la filosofía básica para el manejo y desarrollo del ANP y provee las estrategias para resolver los problemas y lograr los objetivos de manejo identificados, tanto para la protección como para el uso sostenible del ANP. Los Planes Maestros deben contener de manera clara los lineamientos de participación privada y los requerimientos base para la evaluación de impactos. A partir de estos se identifican programas de manejo y organización, marcos de cooperación y facilidades que debe tener el ANP para una gestión eficiente, incluyendo su acción en las zonas de influencia y amortiguamiento.

Excellent collection of the early albums of Paco De Lucía, released from the spanish label Iberica Logos Music in 2003. From the 12 albums of the collection, 6 contain duets, 3 with flamenco guitarist Ricardo Modrego and 3 with Paco's brother, Ramon De Algeciras (1938-2009), also popular flamenco guitarist, permanent member of the Paco de Lucía Sextet. Young Paco (18 yo in 1965) is already a guitar phenomenon, a "fuera de serie", and he performs with vigor, technique and virtuosity, 134 guitar classics often backed by orchestra and percussions. All CDs include booklets with detailed information on the artists and the content. Enjoy an invaluable collection by the great master.

Spanish film pioneer Segundo de Chomón spent most of his influential career associated with Pathé Laboratories. Chomón joined the company in 1901 and set up a laboratory for adding color to film in Barcelona. He started directing newsreels the following year. Chomón's innovations include the development of several camera tricks, including single-frame techniques, optical dissolves, and complicated traveling shots. In 1902, Chomón successfully combined live-action with miniatures in the short Choque de Trenes/Collision of Trains. In 1905, he was the first Spanish filmmaker to use stop-motion techniques in Eclipse de Sol/Eclipse of the Sun. Toward the end of 1905, Chomón relocated to Paris to direct over 100 short films for Pathé; he also shared his techniques with other directors. He first used the traveling shot (the first time it was ever used) in a scene for La Vie et la Passion de Notre Seigneur Jesus Christ/The Life and Passion of Jesus Christ (1907), which was directed by Ferdinand Zecca and Lucien Nonguet. Chomón accomplished the shot by devising a special skating device, and perfected the special shot while filming Cabiria for Italian director Giovanni Pastrone in 1914. In 1909, Chomón was among the first to use silhouettes in one of the first animated films, the surreal Une Excursion Incoherente/Traveler's Nightmare. Chomón returned to Barcelona in 1910 and worked closely with Juan Fuster to create a series of short fiction films. In 1911, he produced a series of travel documentaries for Pathé and later in the year founded Ibérico, his own production company (he released his films through Pathé). Chomón moved to Italy in 1912 and worked as a cinematographer and special effects technician with the Italia Film company, for whom Chomón also directed several animated shorts. Chomón co-invented a two-tone color process in the 1920s with Swiss engineer Ernest Zollinger. The pair later exhibited two color films at various science expos. Chomón died of illness in Paris in 1929 shortly after returning from Morocco where he was shooting color footage.

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