Death Note fr

Joe Williams was the last great big-band singer, a smooth baritone who graced the rejuvenated Count Basie Orchestra during the 1950s and captivated audiences well into the '90s. Born in Georgia, he moved to Chicago with his grandmother at the age of three. Reunited with his mother, she taught him to play the piano and took him to the symphony. Though tuberculosis slowed him down as a teenager, Williams began performing at social events and formed his own gospel vocal quartet, the Jubilee Boys.

Charles Mingus - The Jazz Workshop Concerts 1964-65 (2012) {7CD Box Set Mosaic Records MD7-253}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.16 Gb | MP3 @320 -> 1.05 Gb | Cover | 5% repair rar
© 1964-65, 2012 Mosaic Records | MD7-253
Jazz / Post Bop / Avant-Garde Jazz / Bass

We are pleased to announce "Charles Mingus - The Jazz Workshop Concerts 1964-65 (Town Hall, Amsterdam, Monterey '64, Monterey '65 & Minneapolis)." It chronicles the essential live performances of this genius of modern music as his compositions achieved a depth and complexity we would come to know as Mingus's most signature work. It includes (on the earlier recordings) the brilliant Eric Dolphy, along with Jaki Byard, Dannie Richmond, Johnny Coles, and Clifford Jordan – certainly one of the best assemblages of musicians ever. And the music, recorded across the world's concert stages and intended for release by Charles Mingus Enterprises, dashes once and for all every previously-held notion about what is, and isn't, jazz.

In order to bear witness one must believe what one sees and belief, of course, is subjective. Knowledge is essentially faith. And the flexibility of human memory, our blind spots (whether empathetic or optic) and our great imaginations don’t make truth any easier to contain. This becomes more evident over time as the pages of history weather and the cataracts of progress cloud our collective “knowledge”. Humans love to forget and to repeat. We fall subject to confirmation bias, sway to suggestion, take the easy way out and allow ourselves to be governed while adamantly broadcasting our independence. Naturally it takes followers for a leader to exist, but like anomalons or quantum particles that change when being observed, the psychological battle within each of us changes depending on who is bearing witness. We are the worst portrayers of truth as we have no idea what it is. Everyone is a hypocrite. Everyone is wrong.

By the late 1980's, Emerson, Lake & Palmer were more than a decade away from the period of their greatest success. They had released a few albums in the late 1970's, and although they still sold reasonably well, neither the critics nor the public were especially thrilled by them. After taking a break for half a decade or so, in the mid-'80s, Keith Emerson and Greg Lake were ready to reunite. Carl Palmer, however, was busy drumming with Asia. So Emerson and Lake hooked up with Rainbow drummer Cozy Powell for one album as Emerson, Lake & Powell, and broke up shortly thereafter…