When Jorge Bolet died in October 1990 the world lost one of its last ‘great Romantics’. Spirituality, a luxuriant tonal palette, a real sense of architecture, breadth, grandeur, all allied to a prodigious technique – these were just some of the qualities that informed his playing. Now, for the first time, Decca collects all the recordings he made for the label, from 1977 to 1990. Released for the first time and included in this set, is his last recording, a selection of Chopin’s Nocturnes and the Berceuse, recorded just seven months before his death.
This recording combines the lyrical and rhythmic vitality of early 20th century Brazilian and American popular music with Rifkin's thoughtful and artistic realization, in much the same way as his 1970's recordings of Joplin piano works did on the Nonesuch label. As with those recordings, the sound here is good and the performances excellent. Various different interpretations of Nazareth, Scott, and Lamb exist, and some might find the slower pace of Rifkin's ragtime playing eccentric, but I believe these performances to be subtle and truly musical, as opposed to surface and expected.
Jacques Loussier, of course, moved on from ''Play Bach'' a long time ago, although the wider musical audience no doubt has little recollection of him away from that context. Yet the pianist always had a rigorous intellectual grasp of his musical ends and means, even when the average album by his group was capable of selling half a million copies. In a sense, Bach was never the focal point of his musical discourses, although the great man's music remained the bedrock of Loussier's questings.
Pianophiles will warmly embrace and find much to enjoy in this 10 CD set of the complete studio recordings of the Australian pianist Eileen Joyce (1908-1991). It's the first time such a comprehensive collection has been compiled. Her recorded legacy has been unjustly neglected over the years, save for single CDs from labels such as Dutton, Testament and Pearl. Only APR have seriously championed her cause with a 5-CD set: ‘The Complete Parlophone and Columbia Solo Recordings 1933-1945’, issued in 2011 (review). Needless to say, all of those recordings are to be found in this new Eloquence edition.
After achieving a reluctant Top Ten hit with a rock version of the traditional Irish pub ballad "Whiskey in the Jar," Thin Lizzy began work on Vagabonds of the Western World – their third, and ultimately last album for Decca Records. The single's surprise success gave the band bargaining power to demand more money and time to record, resulting in their first sonically satisfying album…