Deep Cover 1992

A black uniformed policeman is recruited by a devious drug enforcement agent to infiltrate a smuggling organization seeking to expand into designer drugs. This 'ugly side of the war on drugs' explores the context of race, identity and hypocrisy within a brutal and alienating investigation.
~ Keith Loh

Tempest has a band name that might suggest a group of sneering, leather-wearing, head-banging metal heads, but the group's music is less threatening and more expansive than its name suggests. Tempest plays traditional Celtic music with a rock & roll intensity that's accented by a wide range of influences from the blues to American country music, Cajun 2-steps, and Arabic music, with some old-time San Francisco psychedelic flair…

Led by guitarist-singer Vincent Fis, Now produced powerful and dynamic Progressive rock, and was one of the best bands of the international scene in the early Nineties. A four piece group (one girl) heavily played in the style of Yes in the older days; colorful, intricate, melodic sound in a neo-prog sort of way.
"Deep" was released in 1992 and it was their third (and last) studio record. The album has only 5 pieces, 4 composed by the band and one cover version of famous Led Zeppelin - "Kashmir". The highlight of the album is "Wheels" of time the two parts who opens the albums and aswell ends, both parts are very good, specially the guitar parts with intricate parts and solid melody lines.

Billie Holiday - The Complete Billie Holiday On Verve 1945-1959 (1992) {10CD Set Verve–PolyGram 517 658-2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.63 Gb | MP3 @320 -> 1.66 Gb
Full Artwork @ 300 dpi (jpg) -> 288 Mb | 5% repair rar
© 1945-59, 1992 Verve / PolyGram | 517 658-2
Jazz / Vocal Jazz / Swing / Classic Female Blues / Traditional Pop

This is a rather incredible collection: ten CDs enclosed in a tight black box that includes every one of the recordings Verve owns of Billie Holiday, not only the many studio recordings of 1952-57 (which feature Lady Day joined by such jazz all-stars as trumpeters Charlie Shavers and Harry "Sweets" Edison, altoist Benny Carter, and the tenors of Flip Phillips, Paul Quinichette and Ben Webster). Also included are prime performances at Jazz at the Philharmonic concerts in 1945-1947, an enjoyable European gig from 1954, her "comeback" Carnegie Hall concert of 1956, Holiday's rather sad final studio album from 1959, and even lengthy tapes from two informal rehearsals. It's a perfect purchase for the true Billie Holiday fanatic.