Deep Purple

One of Deep Purple's four indispensable albums (the others being In Rock, Machine Head, and Burn), 1971's Fireball saw the band broadening out from the no-holds-barred hard rock direction of the previous year's cacophonous In Rock…

Whoosh!” sees Deep Purple for the third time joining forces with producer Bob Ezrin, who invited the band to Nashville to write and record new songs. Together they created the most versatile album in their collaboration.

There has been no shortage of Deep Purple compilations over the years, but unlike some of the British hard rock legends' contemporaries (Sabbath, Zeppelin, etc.), they've managed a fairly consistent stream of output since their 1968 debut. Rhino's A Fire in the Sky, a 40-track career retrospective that includes at least one song from every studio album through 2013's Now What?!, is easily the most comprehensive anthology that the band has released to date – a more manageable, largely singles-oriented 20-track version is also available, as is a triple-vinyl edition. Despite cycling through too many lineup iterations to mention, the band has consistently adhered to the heavy blues-rock foundation that made career highlights like "Hush," "Smoke on the Water," "Highway Star," and "Woman from Tokyo" so essential.

In 1993, the reunited "classic" lineup of Deep Purple toured just long enough to record this live album, before guitarist Ritchie Blackmore remembered why he hated the other members in the first place and bailed again…

After satisfying all of their classical music kinks with keyboard player Jon Lord's overblown Concerto for Group and Orchestra, Deep Purple's soon to be classic Mark II version made its proper debut and established the sonic blueprint that would immortalize this lineup of the band on 1970's awesome In Rock…

After five decades of records made chiefly of original material, Deep Purple’s 22nd studio album consists solely of songs written and previously recorded by other artists: a criminal offense commonly described by the rock police and purists Grand Jury as “doing covers.” Studio recordings of songs previously released by Love, Huey “Piano” Smith, Fleetwood Mac, Mitch Ryder & the Detroit Wheels, Bob Dylan, Ray Charles & Quincy Jones, Little Feat, The Yardbirds, Lonnie Donegan/ Johnny Horton, Bob Seger System, Cream, plus the “Caught In The Act” medley feat. songs by Freddie King, Booker T. and the M.G.’s, The Allman Brothers Band, Led Zeppelin and The Spencer Davis Group came to life with the band, for the first time in their career, recording them while not being in the same room. “Turning To Crime” is Deep Purple enjoying playing music without commercial plans nor losing their edge and drive. This is Deep Purple coming full circle. This is 100% Deep Purple.

When Ritchie Blackmore left Deep Purple in early 1975, many fans figured that the band was over. But with the arrival of worthy replacement Tommy Bolin, the band was suddenly back in business with the oft-overlooked Come Taste the Band release. What the prior members of Deep Purple didn't know, however, is that their new guitarist had a serious drug problem, which hampered his playing by the time the group landed in Japan for a series of shows in December of 1975. With Bolin allegedly having no feeling in one of his arms on the night of a Purple gig at the Budokan, the show was to be taped for a future release.