Demon are often the subject of hot debate whenever the New Wave of British Heavy Metal is discussed: are they or aren't they supposed to be cited alongside the likes of Iron Maiden, Saxon and Def Leppard, as a rejuvenating force in the evolution of heavy metal? After all, their debut album, Night of the Demon, had shown that the Staffordshire quintet were far more indebted to Britain's heavyweights of melodic hard rock, like UFO and Thin Lizzy, than full-fledged heavy metal titans Black Sabbath or Judas Priest. But, then again, so were Def Leppard! And, in any case, this debate would not find easy answers in Demon's second long player, 1982's The Unexpected Guest.
Demon are often the subject of hot debate whenever the New Wave of British Heavy Metal is discussed: are they or aren't they supposed to be cited alongside the likes of Iron Maiden, Saxon and Def Leppard, as a rejuvenating force in the evolution of heavy metal? After all, their debut album, Night of the Demon, had shown that the Staffordshire quintet were far more indebted to Britain's heavyweights of melodic hard rock, like UFO and Thin Lizzy, than full-fledged heavy metal titans Black Sabbath or Judas Priest.
Despite its short existence, Demon Thor was one of the most sensational, continental rock groups in the 70's. It was the very first German band performing on the legendary TV-Show 'Musikladen', the very first performance act in the ‘Circus Kronebau’ in the city of Munich, Germany; the band won music awards in France and England, and both of their albums were published world wide by United Artists. The band was a Swiss rock-scene fusion between Tommy Fortmann and Krokodil, as well as singer Geff Harrison (Twenty Sixty Six And Then), Peter Bischof, and Oliver Freytag. The two full-length albums were re-released on CD (using its original covers) by Spalax France.
The Plague saw Demon moving away from the Devilish themes of their previous two LPs into more socially and politically contentious areas. The introduction of keyboards resulted in a sophisticated and polished sound, and the band's finest songwriting to date. A glorious concept album of intelligent and highly innovative rock music.